FOUR-STAR EPISODES: 1
AVERAGE EPISODE RATING: 2.6
-The Search 1&2 ***
The station is assigned the Defiant, an overpowered cruiser with a cloak, originally designed for fighting the borg. Sisko takes her into the gamma quadrant in search of the founders, to initiate negotiations. They retreat after a fight, only to find the Federation already giving major concessions to the Dominion, including ceding them Bajor. The crew goes renegade and collapses the wormhole...only to find that these events were only playing out in their minds, while they were studied by their Dominion captors. Kira and odo find his homeworld, and discover that his people are the founders. A nice red herring tease, with appearances by martha hackett (VOYAGER, CARNOSAUR), john fleck (ENTERPRISE, TRUE BLOOD), and the debut of ken marshall (KRULL, THE GODS MUST BE CRAZY II) as commander eddington, a Starfleet security officer assigned to the station, much to odo's chagrin.
-The House of Quark ***
Great googily, don't blink...a good ferengi episode! Quark claims responsibility for the death of a klingon, then is kidnapped to Kronos and forced to marry the widow.
-Equilibrium ***
A compelling, beautiful journey on the trill homeworld, as jadzia deals with violent, musical visions, and discovers that memories of a homicidal host have been surgically repressed.
-Second Skin **
Kira finds herself on Cardassia, as a cardassian (if this sounds like a warp breach waiting to happen, trust your instincts). She's told she's been a surgically-altered sleeper agent. The writers can't be faulted - without nana, this might have been a winner, especially with a fine performance by lawrence pressman (NINE TO FIVE, DOOGIE HOWSER M.D.) as her "father", who has also been duped. One of garak's finest episodes, too.
-The Abandoned ***
An infant is discovered in a wreck. When he ages at a phenomenal rate and starts attacking people, they discover he is jem'hadar, genetically manipulated to be a killer addicted to a drug only available from the founders. Odo tries to offer him a better life. To sisko's dismay, teenaged jake is romantically involved with a dabo woman (jill sayre - SPIDER-MAN 1-2). It's a shame the writers dropped this relationship after mardah's only appearance.
-Civil Defense ***
A cardassian counter-insurrection program is accidentally initiated, which takes control of all station functions. Without the command codes, the station approaches self-destruct. Dukat offers help, but at a price. A tight episode that rises as high as three stars can go. I find it implausible, however, that garak doesn't know how to pronounce "interrogative".
-Meridian ***
Dax falls in love with a resident of a multi-dimensional planet (brett cullen - SOMETHING TO TALK ABOUT, THE WEST WING) and decides to go with him on his next shift...which will take sixty years. Quark tries to fill an order for a holosuite sex program of kira - without her permission. The story and visuals are standout; if the chemistry and writing were just a touch sharper, this would be top-tier.
-Defiant ****
-written by ronald d. moore
-directed by cliff bole
Will Riker!!! Wait. Back up. Tom Riker!!! Jonathan frakes visits, and schmoozes kira into giving him a tour of the Defiant. When she reveals the command codes, he stuns her (literally) and takes the ship for the maquis. He goes into the heart of the cardassian empire to expose a secret invasion fleet. Kira's psychoanalyzing is a tad obvious, but hot damn, we got a winner.
-Fascination **
Lwaxana visits, unaware she has a syndrome which causes her to empathically infect people with intense sexual longings. A premise that falls short of its promise.
-Past Tense 1&2 ***
Through a transporter malfunction, dax, sisko, and bashir are accidentally stranded in 2024 San Francisco. In a beautiful crystallization of life's butterfly-wing unfairness (or perhaps an affirmation that cute chicks can skate through life as long as they remain cute), she falls into the lap of luxury while they wind up in a concentration camp. In order to prevent the timeline from unraveling, benjamin must take the place of a man who wasn't supposed to die. A fine effort helped by dick miller (THE TERMINATOR, GREMLINS 1-2), deborah van valkenburgh (TOO CLOSE FOR COMFORT, FREE ENTERPRISE), and most sweetly clint howard (SPACE RANGERS, AUSTIN POWERS 1-3) in his first TREK appearance since 1966, when he was seven.
-Life Support **
After an horrific accident, bashir uses extraordinary measures to prolong bareil's life long enough for him to complete a peace negotiation. Jake has a disastrous date (with lark voorhies - SAVED BY THE BELL, HOW TO BE A PLAYER), thanks to nog's cultural chauvinism.
-Heart of Stone ***
Chasing a fugitive, kira becomes trapped in a growing crystalline structure. Odo tries to free her before she suffocates. His love for her comes to the surface for the first time, until he figures out that it's not kira at all - it's a changeling trying to understand odo's bond with the solids. A genuine surprise, something not often achieved by TREK.
-Destiny *
As a defrocked vedek (erick avari - HEROES, HOME ALONE 4) agitates against cardassian participation in a joint venture, sisko becomes conflicted between his roles as emissary and Starfleet officer. By the end, he starts believing ancient bajoran scripture...and roddenberry's ashes scribble a memo - "NOOOOOOOOOOO!!!" A lovely B plot is wasted, in which o'brien experiences antagonism and sexual tension with a cardassian scientist (tracy scoggins - LOIS & CLARK, BABYLON 5). Colm has more chemistry with her than he ever had with rosalind. Sadly, the following episode does not find dr. gilora permanently posted to the station, while keiko runs off with a couple of nausicaans.
-Prophet Motive **
Grand nagus zek starts giving away money. Quark realizes his personality was shifted by an encounter with the "prophets"...so he has a wormhole alien showdown.
-Visionary **
While romulans visit, o'brien gets disturbing visions.
-Distant Voices **
Bashir is attacked, and begins aging rapidly.
-Through the Looking Glass ***
Sisko is kidnapped to impersonate his deceased, mirror universe self. Beautiful moments with mirror jennifer.
-Improbable Cause **
After an assassination attempt on garak, odo must figure out why.
-The Die is Cast ***
Rejoined with his former Obsidian Order mentor in a cardassian/romulan attack fleet headed for the founders' home planet, garak tortures odo for information.
-Explorers ***
Sisko and jake reconstruct an ancient bajoran space vessel, to try to prove that bajorans left their system without warp drive. The darling debuts of leeta (chase masterson - ROBIN HOOD: MEN IN TIGHTS, OF GODS AND MEN) and ben's beard.
-Family Business **
Quark and rom return to Ferenginar, because their mother has broken the law by conducting business (and wearing clothes). A fine turn by andrea martin (SCTV, MY BIG FAT GREEK WEDDING).
-Shakaar ***
Winn becomes kai, and asks kira to negotiate with an old flame (duncan regehr - V, ZORRO).
-Facets ***
Great idea, good result. In a trill ritual, the spirits of dax's former hosts inhabit her friends' bodies. Odo as kirzon? Brilliant. Nog prepares for Starfleet Academy.
-The Adversary ***
Sisko is promoted to captain. An ambassador takes the Defiant on a mission to prevent a war. Once under way, systems' control is lost, and a founder plot to start a war is uncovered. The crew races to find the changeling. It's fascinating how much the show brightens on Defiant episodes...does this mean my spirit is more moved by "serial novelty"?
Wednesday, December 29, 2010
Tuesday, December 7, 2010
2 Kings & Chronicles
2 Kings 3:27
The Lord's blessing had not turned from the three kings, therefore it is not reasonable that they should begin losing in battle. The wording of this verse is peculiar; it seems to imply either that the Lord turned It's wrath upon Israel (without reason or justification), or that the Moabite king's offering brought forth a divine wrath which repelled the Israelites. If it was the Moabite king's offering that brought about this wrath, then the implication is that there exists a godly force other than the God of the Hebrews, with comparable power. The Bible has before hinted at that possibility; either the Lord is randomly and contradictorily using Its power, or this verse is a confirmation of that possibility.
2 Kings 14:6
It is simply staggering how outrageous this lie is. Mind you, these are solid, reasonable words in and of themselves. But to make a claim that these words are in line with the Law of Moses? These words are a direct contradiction of the words that Moses put forth in Deuteronomy 5:9. Such colossal inconsistency cannot be reconciled within a text inspired by God.
1 Chronicles 10:13-14
We have here a clear causality. Saul was unfaithful to the Lord; Saul dies. Plain and simple, and irreconcileable, for this kind of direct and immediate divine justice is simply not a reality of life. Nevertheless, the situation described is a clear-cut example of retribution following faithlessness. All this illustrates exactly what was so relentlessly frustrating about the books of the Kings. Divine justice, both as punishment and reward, occurs many, many times. And for divine intervention to be reasonable, two things must be present: justness and consistency. In Kings 1&2, the justness of the interventions was questionable, and the consistency almost nonexistent. We observed like offenses bring about differing punishments, unequal offenses given equal punishments, divine favor disappearing at crucial moments for no reason...the example of Saul is clear-cut cause and effect. Similar faithlessness throughout Kings 1&2 was treated with varying degrees of light punishment (Jehoram), heavy punishment (the small boys of 2 Kings 2), and no punishment (Jehoahaz). When divine consistency is gone, reasonableness quickly follows.
1 Chronicles 28:4
How do you reconcile this with the vast bloodshed the Lord has both sanctioned and inflicted?
The Lord's blessing had not turned from the three kings, therefore it is not reasonable that they should begin losing in battle. The wording of this verse is peculiar; it seems to imply either that the Lord turned It's wrath upon Israel (without reason or justification), or that the Moabite king's offering brought forth a divine wrath which repelled the Israelites. If it was the Moabite king's offering that brought about this wrath, then the implication is that there exists a godly force other than the God of the Hebrews, with comparable power. The Bible has before hinted at that possibility; either the Lord is randomly and contradictorily using Its power, or this verse is a confirmation of that possibility.
2 Kings 14:6
It is simply staggering how outrageous this lie is. Mind you, these are solid, reasonable words in and of themselves. But to make a claim that these words are in line with the Law of Moses? These words are a direct contradiction of the words that Moses put forth in Deuteronomy 5:9. Such colossal inconsistency cannot be reconciled within a text inspired by God.
1 Chronicles 10:13-14
We have here a clear causality. Saul was unfaithful to the Lord; Saul dies. Plain and simple, and irreconcileable, for this kind of direct and immediate divine justice is simply not a reality of life. Nevertheless, the situation described is a clear-cut example of retribution following faithlessness. All this illustrates exactly what was so relentlessly frustrating about the books of the Kings. Divine justice, both as punishment and reward, occurs many, many times. And for divine intervention to be reasonable, two things must be present: justness and consistency. In Kings 1&2, the justness of the interventions was questionable, and the consistency almost nonexistent. We observed like offenses bring about differing punishments, unequal offenses given equal punishments, divine favor disappearing at crucial moments for no reason...the example of Saul is clear-cut cause and effect. Similar faithlessness throughout Kings 1&2 was treated with varying degrees of light punishment (Jehoram), heavy punishment (the small boys of 2 Kings 2), and no punishment (Jehoahaz). When divine consistency is gone, reasonableness quickly follows.
1 Chronicles 28:4
How do you reconcile this with the vast bloodshed the Lord has both sanctioned and inflicted?
Play On!
THEATER 43
-summer 1998
I got a call from J.T. Smith, at the Old Schoolhouse Theater on Sanibel. It was a beautiful space, originally a one-room schoolhouse. J.T. staged musical reviews, and was trying an occasional comedy. He wanted me to play Billy in the upcoming show. The script was funny. I told him i was interested, and could he pay me? He told me he could get me $100 a week, and not to tell the other actors. I almost passed, because i didn't want to be known as an actor who works for free, but it was a great part. The script is about a community theater troupe putting on an original play, an Agatha Christie-style whodunit. The playwright keeps rewriting and meddling, and everything goes very wrong on opening night. I played the "leading man". The dressing room was a fun place. Dave Yudowitz had been a comedian, and was trying his first acting, in his late sixties. His gestures and timing were wonderful. A sweet, sweet man. Tom Corcoran played the director, and he was so great, very easy-going and fun. Clement Valentine played the villain, and very well. On the girls' side was Unota Lucero, the "leading lady", Betty Madonna, the "playwright", Teresa Shea and Carolyn Smith, the "tech crew", Joanna Theiss, the "maid", and Jene, the "Lady". The stage manager was a young guy named Jason, and he and Betty and Joanna rounded out my buddies in the cast. J.T. was a bit standoffish, but he created a good atmosphere. Dave and Tom ribbed me about the crush sixteen year-old Joanna had on me. She was talented, smart, and fun. I had been writing a play about a guy trying to deflect the crush of a teenager, and Joanna's energy crept into the writing. I finished writing it around the end of the run, and got a copy to her. She may have ended up thinking i was coming on to her. The talent level of the actors was a little uneven, but there was enough to make it a good, funny show. At the start of the second act Tom is onstage, and i enter. In our second week, i did something i'd never done. I was late for my entrance. He ad libbed some dialogue. I was shocked. So guess what happened in week three? I did the same damn thing again. Don't ask me how. Sorry, Tom.
-summer 1998
I got a call from J.T. Smith, at the Old Schoolhouse Theater on Sanibel. It was a beautiful space, originally a one-room schoolhouse. J.T. staged musical reviews, and was trying an occasional comedy. He wanted me to play Billy in the upcoming show. The script was funny. I told him i was interested, and could he pay me? He told me he could get me $100 a week, and not to tell the other actors. I almost passed, because i didn't want to be known as an actor who works for free, but it was a great part. The script is about a community theater troupe putting on an original play, an Agatha Christie-style whodunit. The playwright keeps rewriting and meddling, and everything goes very wrong on opening night. I played the "leading man". The dressing room was a fun place. Dave Yudowitz had been a comedian, and was trying his first acting, in his late sixties. His gestures and timing were wonderful. A sweet, sweet man. Tom Corcoran played the director, and he was so great, very easy-going and fun. Clement Valentine played the villain, and very well. On the girls' side was Unota Lucero, the "leading lady", Betty Madonna, the "playwright", Teresa Shea and Carolyn Smith, the "tech crew", Joanna Theiss, the "maid", and Jene, the "Lady". The stage manager was a young guy named Jason, and he and Betty and Joanna rounded out my buddies in the cast. J.T. was a bit standoffish, but he created a good atmosphere. Dave and Tom ribbed me about the crush sixteen year-old Joanna had on me. She was talented, smart, and fun. I had been writing a play about a guy trying to deflect the crush of a teenager, and Joanna's energy crept into the writing. I finished writing it around the end of the run, and got a copy to her. She may have ended up thinking i was coming on to her. The talent level of the actors was a little uneven, but there was enough to make it a good, funny show. At the start of the second act Tom is onstage, and i enter. In our second week, i did something i'd never done. I was late for my entrance. He ad libbed some dialogue. I was shocked. So guess what happened in week three? I did the same damn thing again. Don't ask me how. Sorry, Tom.
Friday, December 3, 2010
lonely lover
The golden boy lied
The black man lied
The drunkard lied
The feminist lied
The teacher lied
The father lied
The lonely lover would not lie
The virgin lied
The whore lied
The priestess lied
The queen lied
The sister lied
The friend lied
The lonely lover would not lie
Romeo lied
Juliet lied
James Bond lied
Mata Hari lied
Casanova lied
Cleopatra lied
The lonely lover would not lie
The black man lied
The drunkard lied
The feminist lied
The teacher lied
The father lied
The lonely lover would not lie
The virgin lied
The whore lied
The priestess lied
The queen lied
The sister lied
The friend lied
The lonely lover would not lie
Romeo lied
Juliet lied
James Bond lied
Mata Hari lied
Casanova lied
Cleopatra lied
The lonely lover would not lie
"he's just not that into you"
2009, directed by Ken Kwapis
I don't often broker in the emotion hate.
I hated this movie. I wanted to do an oedipus on my eyes.
Admittedly, i saw only half. The second half. Why didn't i turn it off? We humans slow down for carnage.
This is not about chick flicks. Watch LOVE ACTUALLY with me, and see who cries. The problem with this movie is not that it's insipid (it is), the problem is that it acts like it's not - and the dialogue is clever enough, the performances winning enough, that idiots will be lulled into agreeing. This is not like the romantic comedies of Katherine Heigl, which make no pretense to intelligence. No, this movie would make Gandhi want to hurt someone.
Part of it is the sense of betrayal, from actors who have done delightful, respectable work. Jennifer Connelly. Scarlett Johansson. Ben Affleck (hey, he did SHAKESPEARE IN LOVE, okay?). Luis Guzman. Were they not allowed to read the script? It may be that they owed favors to Drew Barrymore, who produced this offal. And understand, i have no hatred for Drew, but this is not EVER AFTER, an inoffensive yawner.
Affleck's character has been Jennifer Aniston's love for seven years. He doesn't believe in marriage, an eminently defendable position. She snaps one day, needing that ring! They break up. As soon as she realizes that marriage isn't important, he gives her that ring. You'll never witness a more facile, unrealistic, perverted treatment of an important issue.
On another track, Justin Long is buddies with Ginnifer Goodwin, a romantic who gets her heart trampled weekly. He tries to make her understand men. She decides that he's in love with her, and throws herself at him. Consistent with his character, he rejects her. Then he's suddenly mooning over her, realizing that...oh, never mind. This stuff makes LOVE, AMERICAN STYLE seem like DANGEROUS LIAISONS.
"he's just not that into you".
See it with someone you don't like very much.
I don't often broker in the emotion hate.
I hated this movie. I wanted to do an oedipus on my eyes.
Admittedly, i saw only half. The second half. Why didn't i turn it off? We humans slow down for carnage.
This is not about chick flicks. Watch LOVE ACTUALLY with me, and see who cries. The problem with this movie is not that it's insipid (it is), the problem is that it acts like it's not - and the dialogue is clever enough, the performances winning enough, that idiots will be lulled into agreeing. This is not like the romantic comedies of Katherine Heigl, which make no pretense to intelligence. No, this movie would make Gandhi want to hurt someone.
Part of it is the sense of betrayal, from actors who have done delightful, respectable work. Jennifer Connelly. Scarlett Johansson. Ben Affleck (hey, he did SHAKESPEARE IN LOVE, okay?). Luis Guzman. Were they not allowed to read the script? It may be that they owed favors to Drew Barrymore, who produced this offal. And understand, i have no hatred for Drew, but this is not EVER AFTER, an inoffensive yawner.
Affleck's character has been Jennifer Aniston's love for seven years. He doesn't believe in marriage, an eminently defendable position. She snaps one day, needing that ring! They break up. As soon as she realizes that marriage isn't important, he gives her that ring. You'll never witness a more facile, unrealistic, perverted treatment of an important issue.
On another track, Justin Long is buddies with Ginnifer Goodwin, a romantic who gets her heart trampled weekly. He tries to make her understand men. She decides that he's in love with her, and throws herself at him. Consistent with his character, he rejects her. Then he's suddenly mooning over her, realizing that...oh, never mind. This stuff makes LOVE, AMERICAN STYLE seem like DANGEROUS LIAISONS.
"he's just not that into you".
See it with someone you don't like very much.
Monday, November 29, 2010
"The Myth of Monogamy"
-by David Barash and Judith Lipton
2002
Immense. The "myth" of the title is not that monogamy is unnatural (it is), but refers rather to the enormous number of creatures (of whom we are one) who seem monogamous at a distance, but up close are anything but - the distinction between social monogamy (where bonded couples are regularly unfaithful) and genuine monogamy, which is so rare in the animal kingdom as to be a statistical anomaly. We now know that almost all of the species once thought monogamous, ain't. And surprise (or not)...females generally run around as much as males. It was once thought that man was the only animal who raped - he ain't (indeed, a common reaction in the animal kingdom for a "husband" whose mate has been raped, is to immediately rape her himself). Other animals also divorce, and for remarkably similar reasons ("You humped my buddy Bill the bee, you pollenated slut?!"). Do attractive males generally provide less parental care? Yes. Are aggressive, pushy males usually more sexually successful than nice ones? Yup (but take heart, sometimes "nice guys" get the last laugh). An impartial observer of humanity would conclude that we are mildly polygynous, given our big gonads, bimaturism, and dimorphism (male and female differently-sized). The competitive nature of polygynous males also goes a long way in explaining humanity's violence. I myself was predisposed to believing that monogamy is unnatural and unhealthy, but this book lauds the egalitarian quality of monogamy...hypothetically, everyone gets a mate. I'm not sold, but it's the only intelligent defense of monogamy i've ever heard. Of course, modern human history is not predominantly monogamous. Before contact with the West, more than 80% of human societies were polygynous. And yes women, there is plenty for you to be angry about - 75% of human societies permit male infidelity, while only 10% offer women the same. Even though we aren't built for monogamy, we often display insane levels of jealousy...this particular contradiction is one of the few things that has personally given me spiritual fits. This book tries to make sense of jealousy. Also acknowledged is how little we still know: for instance, why are there sperm of vastly different abilities in each ejaculation? Some of them may be designed to "kill" the sperm of other males. This is part of the cutting edge theory of sperm competition, and illuminates the most mind-blowing aspect of this book - the realization of how our bodies have stunning capacity to get what they want, heedless of our conscious wishes. We're just starting to learn about things like why women have orgasms, and how their bodies control which sperm gets to the holy grail. The one great flaw of the book may be that it's a bit beholden to the chains of the past. It walks right up to an obvious conclusion, then tiptoes meekly away.
2002
Immense. The "myth" of the title is not that monogamy is unnatural (it is), but refers rather to the enormous number of creatures (of whom we are one) who seem monogamous at a distance, but up close are anything but - the distinction between social monogamy (where bonded couples are regularly unfaithful) and genuine monogamy, which is so rare in the animal kingdom as to be a statistical anomaly. We now know that almost all of the species once thought monogamous, ain't. And surprise (or not)...females generally run around as much as males. It was once thought that man was the only animal who raped - he ain't (indeed, a common reaction in the animal kingdom for a "husband" whose mate has been raped, is to immediately rape her himself). Other animals also divorce, and for remarkably similar reasons ("You humped my buddy Bill the bee, you pollenated slut?!"). Do attractive males generally provide less parental care? Yes. Are aggressive, pushy males usually more sexually successful than nice ones? Yup (but take heart, sometimes "nice guys" get the last laugh). An impartial observer of humanity would conclude that we are mildly polygynous, given our big gonads, bimaturism, and dimorphism (male and female differently-sized). The competitive nature of polygynous males also goes a long way in explaining humanity's violence. I myself was predisposed to believing that monogamy is unnatural and unhealthy, but this book lauds the egalitarian quality of monogamy...hypothetically, everyone gets a mate. I'm not sold, but it's the only intelligent defense of monogamy i've ever heard. Of course, modern human history is not predominantly monogamous. Before contact with the West, more than 80% of human societies were polygynous. And yes women, there is plenty for you to be angry about - 75% of human societies permit male infidelity, while only 10% offer women the same. Even though we aren't built for monogamy, we often display insane levels of jealousy...this particular contradiction is one of the few things that has personally given me spiritual fits. This book tries to make sense of jealousy. Also acknowledged is how little we still know: for instance, why are there sperm of vastly different abilities in each ejaculation? Some of them may be designed to "kill" the sperm of other males. This is part of the cutting edge theory of sperm competition, and illuminates the most mind-blowing aspect of this book - the realization of how our bodies have stunning capacity to get what they want, heedless of our conscious wishes. We're just starting to learn about things like why women have orgasms, and how their bodies control which sperm gets to the holy grail. The one great flaw of the book may be that it's a bit beholden to the chains of the past. It walks right up to an obvious conclusion, then tiptoes meekly away.
Sunday, November 28, 2010
Deep Space Nine, season 2
FOUR-STAR EPISODES: 1
AVERAGE EPISODE RATING: 2.6
-The Homecoming **
Kira and o'brien rescue a supposedly-dead resistance hero from cardassian prison, while an isolationist faction grows on Bajor.
-The Circle **
Kira and vedek bareil (philip anglim - THE ELEPHANT MAN, DALLAS: WAR OF THE EWINGS) become close. Lifeless...
-The Siege **
A Circle-led militia tries to occupy the station. Steven weber (WINGS, STUDIO 60 ON THE SUNSET STRIP) is wasted.
-Invasive Procedures ***
A fine tale about an unjoined trill (john glover - GREMLINS 2, ROBOCOP 2) who tries to steal the dax symbiont. In some juicy guest casting, VOYAGER's tim russ plays a klingon mercenary, and megan gallagher (THE LARRY SANDERS SHOW, HILL STREET BLUES) is glover's love interest. They don't resolve quark's storyline, but otherwise...
-Cardassians ***
The presence of an adopted cardassian orphan on the station causes unrest. A hearing determines his fate (and uncovers some shady doings). A lovely performance by robert mandan (SOAP, THREE'S A CROWD). The writers were asleep at the switch for the ending, but otherwise it's tight with nice chemistry.
-Melora ***
Julian falls for a gravity-challenged officer, touchingly played by daphne ashbrook (HOOPERMAN, GIMME AN 'F'). His familial backstory will later be changed...would the writers just say that he's lying here, to hide his past?
-Rules of Acquisition **
A ferengi posing as a male because of the sexist laws of their society, falls for quark. A nice effort, with an uninspired ending.
-Necessary Evil ***
A flashback tale about odo's first case as constable, when the station was called Terok Nor and run by dukat. Kira is a murder suspect with secrets to hide. Dark visuals set the tone beautifully.
-Second Sight ***
Sisko feels romantic stirrings for the first time since jennifer's death, over a mystery woman who keeps disappearing...literally. She turns out to be a subconscious teleprojection of an unhappily married woman - a condemnation of the unhealthy affects of enforced monogamy, anyone? Guest star richard kiley (MAN OF LA MANCHA, JURASSIC PARK) brightens things, as does the away mission aboard USS Prometheus. The ending is a bit contrived.
-Sanctuary **
Three million refugees come to the alpha quadrant seeking a home...and choose Bajor. With andrew koenig (GROWING PAINS, INALIENABLE)!
-Rivals **
Quark's business is squeezed when a rival casino opens. A curious episode...at times fun, but it never fully feels like STAR TREK. Did the director or writer have no franchise experience? Indeed no, quite the opposite. Do too many recognizable guest stars take us out of the TREK reality? Chris sarandon (THE PRINCESS BRIDE, THE NIGHTMARE BEFORE CHRISTMAS), barbara bosson (HILL STREET BLUES, COP ROCK), and k callan (AMERICAN GIGOLO, LOIS & CLARK) all put in fine work. The writing alternately delights and frustrates - use of the correct "couldN'T care less", but then the embarrassing 20th-century euphemism "pass away". Okay, i'm overthinking this one...
-The Alternate **
The bajoran scientist who "raised" odo discovers a similar life form on a gamma quadrant planet. Is there any writerly contrivance which could explain why sisko thinks his father is dead?
-Armageddon Game **
Bashir and o'brien help two species destroy the biological weapons with which they waged war on one another...only to find out that all who have knowledge of the weapons are slated for death. They're suddenly on the run (with a plague-infected o'brien) on an alien planet, while DS9 is diplomatically told of their "accidental" deaths.
-Whispers ***
A tight exploration of paranoia, inside the mind of a sleeper agent double of o'brien who isn't aware of his own nature. Very sharp, with an ending that's a genuine surprise (a rare feat in TREK).
-Paradise ***
Sisko and o'brien are stranded in a colony that has forsaken technology...but a dark side emerges. There are plot holes, yet it's hard-hitting, as sisko demonstrates powerful non-violent resistance techniques. And he delivers a withering dismissal of the religious impulse...which is a stunning breath of fresh air, given DS9's dipsy wipsy inclinations (and his part in it). The ending feels just a bit contrived, perhaps because one doesn't see enough of the positive side of the colony's life, and the remove technological life creates from "core" behavior. Could this have been a four-star two-parter?
-Shadowplay ***
Odo and dax investigate mysterious disappearances in an alien village. He helps the local protector (kenneth mars - THE PRODUCERS, YOUNG FRANKENSTEIN), and strikes up a touching friendship with a child. Kira and bareil fall into each other's arms. Their first kisses are quite moving, and surprisingly erotic for TREK.
-Playing God ***
A trill visits, for mentoring by dax. She is surprisingly cold.
-Profit and Loss **
Mary crosby (DALLAS, THE ICE PIRATES), as quark's former flame, is the first actor to make cardassian sexy.
-Blood Oath ****
-written by peter allan fields
-directed by winrich kolbe
Kor. Koloth. Kang! Three aged klingons arrive, to fulfill a blood oath they shared with kirzon dax eighty years before. Jadzia feels compelled to join their quest. The klingons are played by john colicos (THE POSTMAN ALWAYS RINGS TWICE, CREEPSHOW), michael ansara (ABBOTT AND COSTELLO MEET THE MUMMY, GUNS OF THE MAGNIFICENT SEVEN), and william campbell (DEMENTIA 13, THE RETURN OF THE SIX MILLION DOLLAR MAN AND THE BIONIC WOMAN), reprising their classic TREK roles. Formerly smooth foreheads are now ripplingly ridged. It's possible this one only achieves four stars through its retro X factor...but it's a great ride all the way.
-The Maquis 1&2 ***
A group of border colonists being harassed and attacked by the cardassians, resort to violence without Starfleet's blessing. The first part crackles with life - an old friend of sisko's (bernie casey - BRIAN'S SONG, REVENGE OF THE NERDS I,III,IV) is the ranking Starfleet officer in the demilitarized zone, and their scenes together bring more believability to ben's past than anything DS9 has heretofore shown. The older style uniform is a nice touch, too. Part 2, with a fine appearance by john schuck (ROOTS, THE NEW ODD COUPLE) as a cardassian legate, is a bit simplistic and illogical...but has a fine scene wherein quark out-logics a vulcan. TNG's natalija nogulich makes an appearance as admiral nechayev.
-The Wire ***
Bashir struggles to save garak's life, when a torture-coping device implanted in his brain malfunctions. Paul dooley (SIXTEEN CANDLES, A MIGHTY WIND) makes his first (and best) appearance as tain, former head of the cardassian Obsidian Order. The ending is a trifle simplistic.
-Crossover **
Kira and bashir enter a mirror universe, where the other kira is an amoral tyrant who favors milk baths and sex slaves...i'm just saying. Could the writers have come up with a MORE obvious scene for establishing the link between this and the mirror episode of classic TREK? And while nana's skill set as an actor is less than bursting, do the writers have to go out of their way to make her look stupid?
-The Collaborator **
Kai candidate winn (louise fletcher - ONE FLEW OVER THE CUCKOO'S NEST, MAMA DRACULA) outpolitics bareil to become Bajor's religious leader.
-Tribunal ***
O'brien is shanghaied by the cardassians, and stands trial. Under cardassian law, accusation equals conviction. Odo uses his never-rescinded cardassian credentials to get onto o'brien's legal team, and his presence is seamless. Dark and tight.
-The Jem'Hadar ***
Sisko, jake, nog, and quark go on a science field trip to the gamma quadrant. The adults are taken prisoner by jem'hadar, the Dominion shock troops. A rescue is mounted by runabouts and the galaxy-class starship Odyssey, which is destroyed, heralding a dark storm heading the alpha quadrant's way. A vorta pretends to be a jem'hadar prisoner as well (and she has telekinetic powers...which will never appear again). Quark compellingly defends the ferengi way of life, pointing out that humanity at its worst was, well, worse. This one's about as good as three stars gets.
AVERAGE EPISODE RATING: 2.6
-The Homecoming **
Kira and o'brien rescue a supposedly-dead resistance hero from cardassian prison, while an isolationist faction grows on Bajor.
-The Circle **
Kira and vedek bareil (philip anglim - THE ELEPHANT MAN, DALLAS: WAR OF THE EWINGS) become close. Lifeless...
-The Siege **
A Circle-led militia tries to occupy the station. Steven weber (WINGS, STUDIO 60 ON THE SUNSET STRIP) is wasted.
-Invasive Procedures ***
A fine tale about an unjoined trill (john glover - GREMLINS 2, ROBOCOP 2) who tries to steal the dax symbiont. In some juicy guest casting, VOYAGER's tim russ plays a klingon mercenary, and megan gallagher (THE LARRY SANDERS SHOW, HILL STREET BLUES) is glover's love interest. They don't resolve quark's storyline, but otherwise...
-Cardassians ***
The presence of an adopted cardassian orphan on the station causes unrest. A hearing determines his fate (and uncovers some shady doings). A lovely performance by robert mandan (SOAP, THREE'S A CROWD). The writers were asleep at the switch for the ending, but otherwise it's tight with nice chemistry.
-Melora ***
Julian falls for a gravity-challenged officer, touchingly played by daphne ashbrook (HOOPERMAN, GIMME AN 'F'). His familial backstory will later be changed...would the writers just say that he's lying here, to hide his past?
-Rules of Acquisition **
A ferengi posing as a male because of the sexist laws of their society, falls for quark. A nice effort, with an uninspired ending.
-Necessary Evil ***
A flashback tale about odo's first case as constable, when the station was called Terok Nor and run by dukat. Kira is a murder suspect with secrets to hide. Dark visuals set the tone beautifully.
-Second Sight ***
Sisko feels romantic stirrings for the first time since jennifer's death, over a mystery woman who keeps disappearing...literally. She turns out to be a subconscious teleprojection of an unhappily married woman - a condemnation of the unhealthy affects of enforced monogamy, anyone? Guest star richard kiley (MAN OF LA MANCHA, JURASSIC PARK) brightens things, as does the away mission aboard USS Prometheus. The ending is a bit contrived.
-Sanctuary **
Three million refugees come to the alpha quadrant seeking a home...and choose Bajor. With andrew koenig (GROWING PAINS, INALIENABLE)!
-Rivals **
Quark's business is squeezed when a rival casino opens. A curious episode...at times fun, but it never fully feels like STAR TREK. Did the director or writer have no franchise experience? Indeed no, quite the opposite. Do too many recognizable guest stars take us out of the TREK reality? Chris sarandon (THE PRINCESS BRIDE, THE NIGHTMARE BEFORE CHRISTMAS), barbara bosson (HILL STREET BLUES, COP ROCK), and k callan (AMERICAN GIGOLO, LOIS & CLARK) all put in fine work. The writing alternately delights and frustrates - use of the correct "couldN'T care less", but then the embarrassing 20th-century euphemism "pass away". Okay, i'm overthinking this one...
-The Alternate **
The bajoran scientist who "raised" odo discovers a similar life form on a gamma quadrant planet. Is there any writerly contrivance which could explain why sisko thinks his father is dead?
-Armageddon Game **
Bashir and o'brien help two species destroy the biological weapons with which they waged war on one another...only to find out that all who have knowledge of the weapons are slated for death. They're suddenly on the run (with a plague-infected o'brien) on an alien planet, while DS9 is diplomatically told of their "accidental" deaths.
-Whispers ***
A tight exploration of paranoia, inside the mind of a sleeper agent double of o'brien who isn't aware of his own nature. Very sharp, with an ending that's a genuine surprise (a rare feat in TREK).
-Paradise ***
Sisko and o'brien are stranded in a colony that has forsaken technology...but a dark side emerges. There are plot holes, yet it's hard-hitting, as sisko demonstrates powerful non-violent resistance techniques. And he delivers a withering dismissal of the religious impulse...which is a stunning breath of fresh air, given DS9's dipsy wipsy inclinations (and his part in it). The ending feels just a bit contrived, perhaps because one doesn't see enough of the positive side of the colony's life, and the remove technological life creates from "core" behavior. Could this have been a four-star two-parter?
-Shadowplay ***
Odo and dax investigate mysterious disappearances in an alien village. He helps the local protector (kenneth mars - THE PRODUCERS, YOUNG FRANKENSTEIN), and strikes up a touching friendship with a child. Kira and bareil fall into each other's arms. Their first kisses are quite moving, and surprisingly erotic for TREK.
-Playing God ***
A trill visits, for mentoring by dax. She is surprisingly cold.
-Profit and Loss **
Mary crosby (DALLAS, THE ICE PIRATES), as quark's former flame, is the first actor to make cardassian sexy.
-Blood Oath ****
-written by peter allan fields
-directed by winrich kolbe
Kor. Koloth. Kang! Three aged klingons arrive, to fulfill a blood oath they shared with kirzon dax eighty years before. Jadzia feels compelled to join their quest. The klingons are played by john colicos (THE POSTMAN ALWAYS RINGS TWICE, CREEPSHOW), michael ansara (ABBOTT AND COSTELLO MEET THE MUMMY, GUNS OF THE MAGNIFICENT SEVEN), and william campbell (DEMENTIA 13, THE RETURN OF THE SIX MILLION DOLLAR MAN AND THE BIONIC WOMAN), reprising their classic TREK roles. Formerly smooth foreheads are now ripplingly ridged. It's possible this one only achieves four stars through its retro X factor...but it's a great ride all the way.
-The Maquis 1&2 ***
A group of border colonists being harassed and attacked by the cardassians, resort to violence without Starfleet's blessing. The first part crackles with life - an old friend of sisko's (bernie casey - BRIAN'S SONG, REVENGE OF THE NERDS I,III,IV) is the ranking Starfleet officer in the demilitarized zone, and their scenes together bring more believability to ben's past than anything DS9 has heretofore shown. The older style uniform is a nice touch, too. Part 2, with a fine appearance by john schuck (ROOTS, THE NEW ODD COUPLE) as a cardassian legate, is a bit simplistic and illogical...but has a fine scene wherein quark out-logics a vulcan. TNG's natalija nogulich makes an appearance as admiral nechayev.
-The Wire ***
Bashir struggles to save garak's life, when a torture-coping device implanted in his brain malfunctions. Paul dooley (SIXTEEN CANDLES, A MIGHTY WIND) makes his first (and best) appearance as tain, former head of the cardassian Obsidian Order. The ending is a trifle simplistic.
-Crossover **
Kira and bashir enter a mirror universe, where the other kira is an amoral tyrant who favors milk baths and sex slaves...i'm just saying. Could the writers have come up with a MORE obvious scene for establishing the link between this and the mirror episode of classic TREK? And while nana's skill set as an actor is less than bursting, do the writers have to go out of their way to make her look stupid?
-The Collaborator **
Kai candidate winn (louise fletcher - ONE FLEW OVER THE CUCKOO'S NEST, MAMA DRACULA) outpolitics bareil to become Bajor's religious leader.
-Tribunal ***
O'brien is shanghaied by the cardassians, and stands trial. Under cardassian law, accusation equals conviction. Odo uses his never-rescinded cardassian credentials to get onto o'brien's legal team, and his presence is seamless. Dark and tight.
-The Jem'Hadar ***
Sisko, jake, nog, and quark go on a science field trip to the gamma quadrant. The adults are taken prisoner by jem'hadar, the Dominion shock troops. A rescue is mounted by runabouts and the galaxy-class starship Odyssey, which is destroyed, heralding a dark storm heading the alpha quadrant's way. A vorta pretends to be a jem'hadar prisoner as well (and she has telekinetic powers...which will never appear again). Quark compellingly defends the ferengi way of life, pointing out that humanity at its worst was, well, worse. This one's about as good as three stars gets.
Wednesday, November 17, 2010
Charlie's Angels, season 2
1) Angels in Paradise ****
I'll be damned. What do you do in a one-horse town when the horse leaves? You make a four-star episode, if you're series creators Ivan Goff and Ben Roberts. Farrah has left the building, and in truth i expected only a desultory punching of the clock. But Ivan and Ben, here are the accolades few ever gave you. You gave us unexpected moments of goofiness or darkness, and didn't let the loss of an icon rain on your parade. Jill's joined the European racing circuit...never mind that Sabrina was the driver in the group. Kelly and Sabrina are exasperated that Charlie wants to bring in a replacement. Bosley chuckles, until the mystery girl arrives - Jill's little sis Kris, who spent Jill's college money on the police academy! They have exactly eighty seconds of happy welcome, then the phone rings - Charlie's been kidnapped in Hawaii! Off they go, into a two-parter loaded with wonderfulness. Norman Fell (Mr. Roper) plays a naked social agitant. Don Ho drops in. Art Metrano (POLICE ACADEMY) is a great baddie. Tommy Fujiwara is bloody fantastic as the criminal with a heart of gold. The action is goooofy, as Sabrina shoots firecracker-laden arrows to simulate machine gun fire. And sexy? Your eyes just might fall out, as Kelly and Kris hijack a yacht in a little number we call "dueling wet bikinis". And the capper, one of the most iconic ANGEL moments, when they break into Charlie's cabin to finally come face to face...and he's out the window, swimming to shore.
2) Angels on Ice ****
Stop it. This one's even more deliriously four-starry than the season premiere. The Angels go undercover in the Ice Capades! Show owner Phil Silvers (yay!) brings them in to solve the disappearance of his stars. There are canyon-sized plot holes...the bad guy plan (Arab dissidents infiltrate ice show to shoot a sheik in the front row, necessitating seven kidnappings and untold man-hours...i mean, i'm no mastermind, but...you guys ever hear of a sniper rifle?), and the Angel reaction (when they have enough evidence to lock up the bad guys for kidnapping and conspiracy, they "let the show go on", which will get them that murder charge, but is that preferable to, i don't know, STOPPING the murder??). But i quibble. Phil treats the Angels with caustic disdain. The uncredited kidnapped ice queen is so beautiful my eyes hurt. Sabrina has a wacko fight with a man in a gorilla mask, then commandeers a car, runs a light, and plows a cop car. Borderline-retarded towel boy James Gammon (the coach, MAJOR LEAGUE) is somehow ridiculous and poignant. In ice clown makeup, Kris is so innocently beautiful it will tear your heart. Kelly infiltrates an Arabian club, and her belly dancing is jaw-dropping. She may have hit the gym in the off-season, as i don't remember upper body muscle tone before. Guest star Edward Andrews (Grandpa "Au-to-mo-bile" Howard, SIXTEEN CANDLES) plays a carefree wino who witnesses everything. In the final scene, the Angels take him out to get him rip-tootin' sauced! Still not sold? How about Jim Backus as the grumpy, wizened ice show prop master? Sublime.
3) Pretty Angels All in a Row ***
Contestants in a second-rate beauty pageant are terrorized. Two Angels become contestants. Hm, what was the chance Sabrina's number wouldn't come up? With these bumbling crooks (including Burton "How 'bout some more beans, Mr. Taggart" Gilliam), it never feels like anyone's in danger, which is nice, as it lets us focus on making fun of pageants. Also featuring Bobbie Mitchell, who had to set some kind of record by playing nine different characters on M*A*S*H.
4) Angel in Flight ***
A sweet little unassuming episode. A college friend of Sabrina's is being terrorized. Off Kelly and Kris go as stewardess trainees! The highlight is a howlingly improbable emergency landing by Kelly, with zero flight training. After i stopped laughing myself silly however, and thought about the detailed way in which they filmed it, i'm pretty sure i myself could tighten that bad sucker inside the runway like a mother. Shit.
5) Circus of Terror ***
Nice. The Angels investigate accidents at a circus, hired by the owner's son whose gypsy father wouldn't approve of crime-fighting women. Kelly plays the spunky motorcycle daredevil "Go-Go". Kris gets knives thrown at her by Denny Miller (Tongo the Ape-man to most of you). Bosley is a carnie who gets hit on by Tinkle "Bosley John Bosley" Bell the midget. Sabrina falls for the son, played by James Darren (GIDGET, T.J. HOOKER, DS9). She gets some great material, both as a strong woman attracted to a man, and as a surprisingly-skilled mime.
6) Angel in Love ***
The Angels investigate a death at a nudist resort. Charlie puts Bosley on a diet. They could have played more with the nudity, but they dropped that ball (except for one scene where they compare notes in a hot tub...a meeting Bosley somehow misses). Sabrina falls in love, tragically. Kate gets touching, well-written scenes.
7) Unidentified Flying Angels ***
Dennis Cole (the future Mr. Smith) makes his second ANGEL appearance, in an episode marked by surprisingly good dialogue. Con men convince rich rubes that aliens are visiting. Jaclyn has an otherworldly scene in which she gets a rube to give up secrets by convincing him she's an alien. Set phasers on stunning.
8) Angels On the Air ****
Angels investigate the attempted murder of a radio reporter. This one sneaks up on you...i can't think of a single other four-star episode that has no sexiness, nor juicy guest star. This one's just, well, goofy. Kris pretends to be a motorcycle babe, with silly hick accent. There are quirky firecracker guest characters, including a helicopter pilot (Taylor Lacher) who oozes fun-loving machismo, and turns Sabrina upside down...if only she and her "Angel in Love" opposite had had this kind of chemistry. The cinematography is singular, especially the scene where the baddie exhaustedly hurls an empty trash can at a pursuing Kelly. In the final scene, Bosley says something glowing about Kelly running "like a man". Most of the feminism of ANGELS was understated, but for once they go all "in your face", as they trap Bosley within his condescending words, and proceed to feministly bitchslap him around the room. This may be the only time in my life i've used the term "bitchslap", but it somehow seems right.
9) Angel Baby ****
A youth (Scott Colomby, CADDYSHACK, PORKY'S 1-3) Kelly helped when she was a cop goes AWOL from the Air Force, distraught over the cessation of letters from his girlfriend. The Angels track her down, a prisoner of a white-baby-selling ring run by Edward Winter (Col. Flagg, M*A*S*H). Kelly goes undercover as a pregnant woman (no, no pillow). The writing is strangely good. Kris pretends to be in dire financial straits, and Edward offers her $20,000 to be impregnated by an Aryan. As a rule, ANGELS was sexy but never sexual. The hotel room scene where she faces her intended is atypically dark, though. For a moment as Kris begins to undress, you really believe that they're going to fuck. In the climax, she shoots a man and falls apart, saying she'd never shot anyone.
10) Angels in the Wings ***
Angels investigate bizarre accidents on a major studio movie musical set. The film reunites a Broadway couple whose marriage is on the rocks. Kris played the second lead in summer stock, and...wait for it...after being charmed by the lead and singing with him, he refuses to do the film unless KRIS IS CAST. Well, yes. So of course...wait for it...she's cast. And i mean, singing and hoofing to beat the band. Over on track 2, i absolutely DEFY anyone to make ANY SENSE of the actions of the bad guys. I swear i am not making this up, it involves a mute being manipulated to protect a woman killed twenty years earlier. But you almost don't notice all that, because the couple (Gene Barry and Shani Wallis) are genuinely touching, and the songs are even kind of beautiful.
11) Magic Fire ***
Bizarre. Silly. Goofy. Silly. Did i mention goofy? A gooferama. Firstly, the initial office meeting with the client is, um, the last time that character is mentioned. Then we're off on a whirlwind of, y'know, goofiness. In one scene, there's a huge, black, curly-haired dog sprawled across Kelly's lap. No explanation is given (i'm guessing it was "bring your dog to work" day, Jaclyn?). Sabrina does a French accent that is sooo, um, silly. There's a fight scene with Kris and another magician's assistant that's just...i gotta go with goofy. And the most fantastic scene is Bosley's performance as a comic clairvoyant (with assistant Kris in a jaw-dropping costume). Classic. You'll also get a kick out of guest star Rudy Solari (POLICE SQUAD!).
12) Sammy Davis Jr. Kidnap Caper ***
You'll never guess who they got to play Sammy Davis! ORSON BEAN!!! No, i'm kidding, i just like to say "Orson Bean". This one's so bad it's...well, okay not good, but fun. Sammy plays himself and a jive-talking impersonater of himself, who gets mistakenly kidnapped. Hilarity (ahem) ensues. Robert Pine (CHiPS) returns for his second spin on the ANGEL wheel, moving up from baddie to good guy gone wrong.
13) Angels on Horseback ****
Perilously cheesy, but a winner. A murder at a dude ranch! Eye-popping eye candy! Look, James Sikking (HILL STREET BLUES)! Woodrow Parfrey is classic as the amenable yokel sheriff. And i'm sorry, did Bosley just explain to Charlie that he put a massage parlor trip, with implied happy ending, on the office expense account?
14) Game, Set, Death ***
Bibi Besch (the mother of Captain Kirk's only child!) plays a pro on a tennis circuit that's being terrorized. When the Angels fail to run down a shooter, Kelly claims he/she ran "like a man". Really, Kel? Okay. I refer you please, to episode 8.
15) Hours of Desperation ***
One of the most deliriously over-the-top, scenery-chewing ANGEL baddie performances ever, delivered by Stanley Kamel. He ain't right in the head, and he straps plastic explosives on Sabrina. His line delivery of "PUT IT ONNNNNNNN!!!!" is still floating around the deep, dark recesses of every child who saw this in 1978. Plus, Taurean Blacque (HILL STREET BLUES) as a doctor, and Kris wearing a fringe vest that puts the "oy" in cowboy.
16) Diamond in the Rough ***
A guest actor cornucopia! It's Rene Enriquez (HILL STREET BLUES), John Winston (STAR TREK), and Sid Haig (JASON OF STAR COMMAND)! Angels steal a stolen diamond! Kelly and Kris sex it up! No, not together.
17) Angels in the Backfield ****
The most proactively feminist episode ever. So ahead of its time that thirty years later, there's still no sign of a...female pro football league! Unless you count that new "lingerie" league, which, um, ain't quite Gloria Steinem. The Angels go undercover on an underdog team whose players are being terrorized. There's a fascinating character named Pokey (Garn Stephens) who set the dyslexic awareness movement back a decade or two, with her portrayal of a dyslexic character as a sweet, near-mongoloid idiot. There's a shower fight that's beyond classic, as Kelly comes to the rescue of Kris, who's being bullied by an amazon. Kelly and the amazon tear the place up, in the most physics-defying fight in TV history - the amazon gets her ass kicked without ever falling out of her towel. Kris watches meekly, waiting to be mounted by the victor. And lordy lordy, are the men ever mincing idiots. Sabrina tosses one of the most wounded duck passes in the history of sport, and is promptly recruited by the best team in the league. Can the Angels stop the baddies in time to lead the team to victory?? Tune in to find out.
18) The Sand Castle Murders ****
Once in a while, a loosey goosey episode comes along where they break out of the standard plot devices, and show the Angels being human. Here, they're hanging out at Kris' beach house, plotting how to avoid the new assignment so they can have a party. A teenage runaway Kris befriended becomes a serial killer victim. Cis Rundle (Farrah and Cheryl's stunt double) gets a pulse-swelling scene. John Crawford plays a condescending cop who was once Charlie's partner. The identity of the baddie stays hidden longer than usual, and in a rare occurrance, Bosley shoots the murderer...a hell of a shot, too.
19) Angel Blues ***
The Angels unravel the death of a young country singer. The climactic fight features something never before seen: three Angels face three baddies. Shots are fired, punches and bodies fly...classic.
20) Mother Goose is Running for His Life **
A nice story about a sweet old toymaker (Murray Matheson). The most unresolved moment in ANGEL history, as Kelly faces an automated gun about to fire, we cut to commercial and...never resolve the moment! Ah well, Kris' hang-gliding shirt is an eye-popper, and her maneuvers as Raggedy Ann are too adorable.
21) Little Angels of the Night **
Can we stop with the HILL STREET BLUES-a-thon? This season we've had Hunter, Ray, Washington, and now Hill (Michael Warren, as friendly cop). Angels go undercover as prostitutes, to find a serial killer. The highlight is a bike chase made silly by rather granny-looking bicycles.
22) The Jade Trap ***
A delightful cat and mouse intrigue between Barry Bostwick (ROCKY HORROR PICTURE SHOW, SPIN CITY) and Dirk Benedict (BATTLESTAR GALACTICA, THE A-TEAM), in his second spin on the ANGEL wheel. The Angels are caught in between. Barry's a cat burglar who sees gigolo Dirk commit a crime of passion. The tension never lets up. Kris does a Swedish accent so bad, you may want to take a club to her head. I mean, Sabrina's French is cringeworthy too, but...
23) Angels on the Run ***
Wonderful. The Angels investigate the disappearance of a country singer's lothario husband. Diamond thieves abduct Kelly, mistaking her for the singer. The baddies include Craig T. Nelson (POLTERGEIST, COACH) and Bill Duke (PREDATOR). Kel wears a green dress that could make a good dog break his leash. MATCH GAME regular and recidivist LOVE BOAT guest Elaine Joyce plays a farmer's wife in eye-popping short shorts. Bosley has an irritable, ridiculously offbeat office phone talk with Charlie which strays into Abbott & Costello territory, as he deals with a delivery girl, Mrs. Chicken (Judy Landers). He did NOT order legs, he ordered breasts! Sadly, she has no...oh wait a minute, she does.
24) Antique Angels ***
A delight. The plot? Simple. Crooks pose as a film crew with an antique car to steal experimental aerospace fuel, then enter the car in a nearby antique car show in order to smuggle the radioactive canisters out of the county. Of course they do! Who wouldn't?? The abnormally peppy and adorable Angels go undercover as car magazine writers in Keystone Cop outfits. Bosley romances a rich widow. In terms of feminism, ANGELS struck blows (albeit perhaps at the expense of the core issues - objectification and the rendering any of any non-pretty woman "invisible"). But there's a line here that beautifully underscores the misogyny of the time. One of the suspects apologizes to Sabrina, saying "I'm not in the habit of knocking women around...especially pretty ones". So...you might make an exception for an ugly one? You're quite the gallant, sir. Mind you, this wasn't one of the baddies, this was a sympathetic character. I suppose it was too much to hope that Kate might respond, "Why doncha stick your 'pretty ones' up your ass, jackoff?" Ah well, progress is progress.
I'll be damned. What do you do in a one-horse town when the horse leaves? You make a four-star episode, if you're series creators Ivan Goff and Ben Roberts. Farrah has left the building, and in truth i expected only a desultory punching of the clock. But Ivan and Ben, here are the accolades few ever gave you. You gave us unexpected moments of goofiness or darkness, and didn't let the loss of an icon rain on your parade. Jill's joined the European racing circuit...never mind that Sabrina was the driver in the group. Kelly and Sabrina are exasperated that Charlie wants to bring in a replacement. Bosley chuckles, until the mystery girl arrives - Jill's little sis Kris, who spent Jill's college money on the police academy! They have exactly eighty seconds of happy welcome, then the phone rings - Charlie's been kidnapped in Hawaii! Off they go, into a two-parter loaded with wonderfulness. Norman Fell (Mr. Roper) plays a naked social agitant. Don Ho drops in. Art Metrano (POLICE ACADEMY) is a great baddie. Tommy Fujiwara is bloody fantastic as the criminal with a heart of gold. The action is goooofy, as Sabrina shoots firecracker-laden arrows to simulate machine gun fire. And sexy? Your eyes just might fall out, as Kelly and Kris hijack a yacht in a little number we call "dueling wet bikinis". And the capper, one of the most iconic ANGEL moments, when they break into Charlie's cabin to finally come face to face...and he's out the window, swimming to shore.
2) Angels on Ice ****
Stop it. This one's even more deliriously four-starry than the season premiere. The Angels go undercover in the Ice Capades! Show owner Phil Silvers (yay!) brings them in to solve the disappearance of his stars. There are canyon-sized plot holes...the bad guy plan (Arab dissidents infiltrate ice show to shoot a sheik in the front row, necessitating seven kidnappings and untold man-hours...i mean, i'm no mastermind, but...you guys ever hear of a sniper rifle?), and the Angel reaction (when they have enough evidence to lock up the bad guys for kidnapping and conspiracy, they "let the show go on", which will get them that murder charge, but is that preferable to, i don't know, STOPPING the murder??). But i quibble. Phil treats the Angels with caustic disdain. The uncredited kidnapped ice queen is so beautiful my eyes hurt. Sabrina has a wacko fight with a man in a gorilla mask, then commandeers a car, runs a light, and plows a cop car. Borderline-retarded towel boy James Gammon (the coach, MAJOR LEAGUE) is somehow ridiculous and poignant. In ice clown makeup, Kris is so innocently beautiful it will tear your heart. Kelly infiltrates an Arabian club, and her belly dancing is jaw-dropping. She may have hit the gym in the off-season, as i don't remember upper body muscle tone before. Guest star Edward Andrews (Grandpa "Au-to-mo-bile" Howard, SIXTEEN CANDLES) plays a carefree wino who witnesses everything. In the final scene, the Angels take him out to get him rip-tootin' sauced! Still not sold? How about Jim Backus as the grumpy, wizened ice show prop master? Sublime.
3) Pretty Angels All in a Row ***
Contestants in a second-rate beauty pageant are terrorized. Two Angels become contestants. Hm, what was the chance Sabrina's number wouldn't come up? With these bumbling crooks (including Burton "How 'bout some more beans, Mr. Taggart" Gilliam), it never feels like anyone's in danger, which is nice, as it lets us focus on making fun of pageants. Also featuring Bobbie Mitchell, who had to set some kind of record by playing nine different characters on M*A*S*H.
4) Angel in Flight ***
A sweet little unassuming episode. A college friend of Sabrina's is being terrorized. Off Kelly and Kris go as stewardess trainees! The highlight is a howlingly improbable emergency landing by Kelly, with zero flight training. After i stopped laughing myself silly however, and thought about the detailed way in which they filmed it, i'm pretty sure i myself could tighten that bad sucker inside the runway like a mother. Shit.
5) Circus of Terror ***
Nice. The Angels investigate accidents at a circus, hired by the owner's son whose gypsy father wouldn't approve of crime-fighting women. Kelly plays the spunky motorcycle daredevil "Go-Go". Kris gets knives thrown at her by Denny Miller (Tongo the Ape-man to most of you). Bosley is a carnie who gets hit on by Tinkle "Bosley John Bosley" Bell the midget. Sabrina falls for the son, played by James Darren (GIDGET, T.J. HOOKER, DS9). She gets some great material, both as a strong woman attracted to a man, and as a surprisingly-skilled mime.
6) Angel in Love ***
The Angels investigate a death at a nudist resort. Charlie puts Bosley on a diet. They could have played more with the nudity, but they dropped that ball (except for one scene where they compare notes in a hot tub...a meeting Bosley somehow misses). Sabrina falls in love, tragically. Kate gets touching, well-written scenes.
7) Unidentified Flying Angels ***
Dennis Cole (the future Mr. Smith) makes his second ANGEL appearance, in an episode marked by surprisingly good dialogue. Con men convince rich rubes that aliens are visiting. Jaclyn has an otherworldly scene in which she gets a rube to give up secrets by convincing him she's an alien. Set phasers on stunning.
8) Angels On the Air ****
Angels investigate the attempted murder of a radio reporter. This one sneaks up on you...i can't think of a single other four-star episode that has no sexiness, nor juicy guest star. This one's just, well, goofy. Kris pretends to be a motorcycle babe, with silly hick accent. There are quirky firecracker guest characters, including a helicopter pilot (Taylor Lacher) who oozes fun-loving machismo, and turns Sabrina upside down...if only she and her "Angel in Love" opposite had had this kind of chemistry. The cinematography is singular, especially the scene where the baddie exhaustedly hurls an empty trash can at a pursuing Kelly. In the final scene, Bosley says something glowing about Kelly running "like a man". Most of the feminism of ANGELS was understated, but for once they go all "in your face", as they trap Bosley within his condescending words, and proceed to feministly bitchslap him around the room. This may be the only time in my life i've used the term "bitchslap", but it somehow seems right.
9) Angel Baby ****
A youth (Scott Colomby, CADDYSHACK, PORKY'S 1-3) Kelly helped when she was a cop goes AWOL from the Air Force, distraught over the cessation of letters from his girlfriend. The Angels track her down, a prisoner of a white-baby-selling ring run by Edward Winter (Col. Flagg, M*A*S*H). Kelly goes undercover as a pregnant woman (no, no pillow). The writing is strangely good. Kris pretends to be in dire financial straits, and Edward offers her $20,000 to be impregnated by an Aryan. As a rule, ANGELS was sexy but never sexual. The hotel room scene where she faces her intended is atypically dark, though. For a moment as Kris begins to undress, you really believe that they're going to fuck. In the climax, she shoots a man and falls apart, saying she'd never shot anyone.
10) Angels in the Wings ***
Angels investigate bizarre accidents on a major studio movie musical set. The film reunites a Broadway couple whose marriage is on the rocks. Kris played the second lead in summer stock, and...wait for it...after being charmed by the lead and singing with him, he refuses to do the film unless KRIS IS CAST. Well, yes. So of course...wait for it...she's cast. And i mean, singing and hoofing to beat the band. Over on track 2, i absolutely DEFY anyone to make ANY SENSE of the actions of the bad guys. I swear i am not making this up, it involves a mute being manipulated to protect a woman killed twenty years earlier. But you almost don't notice all that, because the couple (Gene Barry and Shani Wallis) are genuinely touching, and the songs are even kind of beautiful.
11) Magic Fire ***
Bizarre. Silly. Goofy. Silly. Did i mention goofy? A gooferama. Firstly, the initial office meeting with the client is, um, the last time that character is mentioned. Then we're off on a whirlwind of, y'know, goofiness. In one scene, there's a huge, black, curly-haired dog sprawled across Kelly's lap. No explanation is given (i'm guessing it was "bring your dog to work" day, Jaclyn?). Sabrina does a French accent that is sooo, um, silly. There's a fight scene with Kris and another magician's assistant that's just...i gotta go with goofy. And the most fantastic scene is Bosley's performance as a comic clairvoyant (with assistant Kris in a jaw-dropping costume). Classic. You'll also get a kick out of guest star Rudy Solari (POLICE SQUAD!).
12) Sammy Davis Jr. Kidnap Caper ***
You'll never guess who they got to play Sammy Davis! ORSON BEAN!!! No, i'm kidding, i just like to say "Orson Bean". This one's so bad it's...well, okay not good, but fun. Sammy plays himself and a jive-talking impersonater of himself, who gets mistakenly kidnapped. Hilarity (ahem) ensues. Robert Pine (CHiPS) returns for his second spin on the ANGEL wheel, moving up from baddie to good guy gone wrong.
13) Angels on Horseback ****
Perilously cheesy, but a winner. A murder at a dude ranch! Eye-popping eye candy! Look, James Sikking (HILL STREET BLUES)! Woodrow Parfrey is classic as the amenable yokel sheriff. And i'm sorry, did Bosley just explain to Charlie that he put a massage parlor trip, with implied happy ending, on the office expense account?
14) Game, Set, Death ***
Bibi Besch (the mother of Captain Kirk's only child!) plays a pro on a tennis circuit that's being terrorized. When the Angels fail to run down a shooter, Kelly claims he/she ran "like a man". Really, Kel? Okay. I refer you please, to episode 8.
15) Hours of Desperation ***
One of the most deliriously over-the-top, scenery-chewing ANGEL baddie performances ever, delivered by Stanley Kamel. He ain't right in the head, and he straps plastic explosives on Sabrina. His line delivery of "PUT IT ONNNNNNNN!!!!" is still floating around the deep, dark recesses of every child who saw this in 1978. Plus, Taurean Blacque (HILL STREET BLUES) as a doctor, and Kris wearing a fringe vest that puts the "oy" in cowboy.
16) Diamond in the Rough ***
A guest actor cornucopia! It's Rene Enriquez (HILL STREET BLUES), John Winston (STAR TREK), and Sid Haig (JASON OF STAR COMMAND)! Angels steal a stolen diamond! Kelly and Kris sex it up! No, not together.
17) Angels in the Backfield ****
The most proactively feminist episode ever. So ahead of its time that thirty years later, there's still no sign of a...female pro football league! Unless you count that new "lingerie" league, which, um, ain't quite Gloria Steinem. The Angels go undercover on an underdog team whose players are being terrorized. There's a fascinating character named Pokey (Garn Stephens) who set the dyslexic awareness movement back a decade or two, with her portrayal of a dyslexic character as a sweet, near-mongoloid idiot. There's a shower fight that's beyond classic, as Kelly comes to the rescue of Kris, who's being bullied by an amazon. Kelly and the amazon tear the place up, in the most physics-defying fight in TV history - the amazon gets her ass kicked without ever falling out of her towel. Kris watches meekly, waiting to be mounted by the victor. And lordy lordy, are the men ever mincing idiots. Sabrina tosses one of the most wounded duck passes in the history of sport, and is promptly recruited by the best team in the league. Can the Angels stop the baddies in time to lead the team to victory?? Tune in to find out.
18) The Sand Castle Murders ****
Once in a while, a loosey goosey episode comes along where they break out of the standard plot devices, and show the Angels being human. Here, they're hanging out at Kris' beach house, plotting how to avoid the new assignment so they can have a party. A teenage runaway Kris befriended becomes a serial killer victim. Cis Rundle (Farrah and Cheryl's stunt double) gets a pulse-swelling scene. John Crawford plays a condescending cop who was once Charlie's partner. The identity of the baddie stays hidden longer than usual, and in a rare occurrance, Bosley shoots the murderer...a hell of a shot, too.
19) Angel Blues ***
The Angels unravel the death of a young country singer. The climactic fight features something never before seen: three Angels face three baddies. Shots are fired, punches and bodies fly...classic.
20) Mother Goose is Running for His Life **
A nice story about a sweet old toymaker (Murray Matheson). The most unresolved moment in ANGEL history, as Kelly faces an automated gun about to fire, we cut to commercial and...never resolve the moment! Ah well, Kris' hang-gliding shirt is an eye-popper, and her maneuvers as Raggedy Ann are too adorable.
21) Little Angels of the Night **
Can we stop with the HILL STREET BLUES-a-thon? This season we've had Hunter, Ray, Washington, and now Hill (Michael Warren, as friendly cop). Angels go undercover as prostitutes, to find a serial killer. The highlight is a bike chase made silly by rather granny-looking bicycles.
22) The Jade Trap ***
A delightful cat and mouse intrigue between Barry Bostwick (ROCKY HORROR PICTURE SHOW, SPIN CITY) and Dirk Benedict (BATTLESTAR GALACTICA, THE A-TEAM), in his second spin on the ANGEL wheel. The Angels are caught in between. Barry's a cat burglar who sees gigolo Dirk commit a crime of passion. The tension never lets up. Kris does a Swedish accent so bad, you may want to take a club to her head. I mean, Sabrina's French is cringeworthy too, but...
23) Angels on the Run ***
Wonderful. The Angels investigate the disappearance of a country singer's lothario husband. Diamond thieves abduct Kelly, mistaking her for the singer. The baddies include Craig T. Nelson (POLTERGEIST, COACH) and Bill Duke (PREDATOR). Kel wears a green dress that could make a good dog break his leash. MATCH GAME regular and recidivist LOVE BOAT guest Elaine Joyce plays a farmer's wife in eye-popping short shorts. Bosley has an irritable, ridiculously offbeat office phone talk with Charlie which strays into Abbott & Costello territory, as he deals with a delivery girl, Mrs. Chicken (Judy Landers). He did NOT order legs, he ordered breasts! Sadly, she has no...oh wait a minute, she does.
24) Antique Angels ***
A delight. The plot? Simple. Crooks pose as a film crew with an antique car to steal experimental aerospace fuel, then enter the car in a nearby antique car show in order to smuggle the radioactive canisters out of the county. Of course they do! Who wouldn't?? The abnormally peppy and adorable Angels go undercover as car magazine writers in Keystone Cop outfits. Bosley romances a rich widow. In terms of feminism, ANGELS struck blows (albeit perhaps at the expense of the core issues - objectification and the rendering any of any non-pretty woman "invisible"). But there's a line here that beautifully underscores the misogyny of the time. One of the suspects apologizes to Sabrina, saying "I'm not in the habit of knocking women around...especially pretty ones". So...you might make an exception for an ugly one? You're quite the gallant, sir. Mind you, this wasn't one of the baddies, this was a sympathetic character. I suppose it was too much to hope that Kate might respond, "Why doncha stick your 'pretty ones' up your ass, jackoff?" Ah well, progress is progress.
the randy girls of Cape High
WOMEN 55
Being a young male substitute teacher, you have to be adept at deflecting the "attentions" of teenage girls. I was adept. To A, the only student who had the balls to actually grab my ass. To M, who was standing by me at the board in the waning moments of class. She dropped an eraser. In one giggly motion, she bent all the way over with legs apart, her posterior backing into my groin. Her aim was so uncanny, i will forever be half-sure that i felt the contours of her lips against my penis. It almost seemed like she was showing off, like the result of some kind of bet she'd made. The only way for our genitals to be closer would have involved her legs wrapped around me (and no student could ever be that audacious, right?). And to S, the transplanted sassy Brooklyn girl, at 18 just a junior, whose plunging necklines revealed nature's fullness, and whose presence rendered 9th and 10th grade boys literally incapable of speech. When i visited the school the following year to do some literary interp for a friend's class, she saw me in the crowded halls and screamed my name. She ran to me and jumped up, wrapping her arms and legs around me. I was happy to see her too.
Being a young male substitute teacher, you have to be adept at deflecting the "attentions" of teenage girls. I was adept. To A, the only student who had the balls to actually grab my ass. To M, who was standing by me at the board in the waning moments of class. She dropped an eraser. In one giggly motion, she bent all the way over with legs apart, her posterior backing into my groin. Her aim was so uncanny, i will forever be half-sure that i felt the contours of her lips against my penis. It almost seemed like she was showing off, like the result of some kind of bet she'd made. The only way for our genitals to be closer would have involved her legs wrapped around me (and no student could ever be that audacious, right?). And to S, the transplanted sassy Brooklyn girl, at 18 just a junior, whose plunging necklines revealed nature's fullness, and whose presence rendered 9th and 10th grade boys literally incapable of speech. When i visited the school the following year to do some literary interp for a friend's class, she saw me in the crowded halls and screamed my name. She ran to me and jumped up, wrapping her arms and legs around me. I was happy to see her too.
To Kill a Mockingbird
THEATER 42
-spring 1998
I returned to Florida to take care of my grandmother, and called up Bob Cacioppo, the director of the Pirate Playhouse, a professional theater on nearby Sanibel Island. He asked whether i would like to join the cast of their upcoming show. I joined rehearsals already in progress, as a townsperson. Bob offered me $100 a week, twice the regular townsperson rate. Neils Miller, a venerable actor playing the judge, became a quick friend. And an unexpected reunion came, with Greg Longenhagen, my college theater buddy, who was playing the prosecuting attorney! Carrie Lund, Bob's wife, played the grown-up Scout, and we got along real well. I also hit it off with Cal Ward, who played the minister, and with the fun lady playing Calpurnia, and the actor playing Tom (who became my chief mancala competitor). And the kids: Daniel Benzing and Alex Doud, and the girls sharing the role of Scout, Joanna and Whitney. We goofed around backstage. The cast was so huge that an eighteen-wheeler had been procured, as an extra dressing room. That's where i dressed, and it was a lively place. My mancala board was in near-constant use. The theater was beautiful, a black box that had been built seven years earlier. The island was a tropical paradise. My favorite scene was the aborted lynch mob. I wore just dungarees and a hat, and carried an ax handle. Greg also played an anonymous mobber. The show was beautifully acted. Greg and i decided that it needed more sex, drugs, and violence, so i would swing my ax handle about in every scene, Greg would lay his cock on the evidence table, and Neils would be toking up in court (Carrie said she'd change her line to "the judge sat there all day, looking like a baked old shark"). Cal took some ribbing when he lost his train of thought one night, and ad-libbed a couple lines. In response, he expanded the ad-lib into a pontificating short speech the following night. We all laughed, but the management didn't find it so funny, making Cal write a formal letter of apology. When we staged the curtain calls, our two black males ended up at the back, above everybody else. They raised fists, lowered their heads, and joked "back of the bus again". I had a lovely time, with only minor feelings of being underused. The ending, as everybody left the courtroom, was beautifully staged, almost in slow motion.
-spring 1998
I returned to Florida to take care of my grandmother, and called up Bob Cacioppo, the director of the Pirate Playhouse, a professional theater on nearby Sanibel Island. He asked whether i would like to join the cast of their upcoming show. I joined rehearsals already in progress, as a townsperson. Bob offered me $100 a week, twice the regular townsperson rate. Neils Miller, a venerable actor playing the judge, became a quick friend. And an unexpected reunion came, with Greg Longenhagen, my college theater buddy, who was playing the prosecuting attorney! Carrie Lund, Bob's wife, played the grown-up Scout, and we got along real well. I also hit it off with Cal Ward, who played the minister, and with the fun lady playing Calpurnia, and the actor playing Tom (who became my chief mancala competitor). And the kids: Daniel Benzing and Alex Doud, and the girls sharing the role of Scout, Joanna and Whitney. We goofed around backstage. The cast was so huge that an eighteen-wheeler had been procured, as an extra dressing room. That's where i dressed, and it was a lively place. My mancala board was in near-constant use. The theater was beautiful, a black box that had been built seven years earlier. The island was a tropical paradise. My favorite scene was the aborted lynch mob. I wore just dungarees and a hat, and carried an ax handle. Greg also played an anonymous mobber. The show was beautifully acted. Greg and i decided that it needed more sex, drugs, and violence, so i would swing my ax handle about in every scene, Greg would lay his cock on the evidence table, and Neils would be toking up in court (Carrie said she'd change her line to "the judge sat there all day, looking like a baked old shark"). Cal took some ribbing when he lost his train of thought one night, and ad-libbed a couple lines. In response, he expanded the ad-lib into a pontificating short speech the following night. We all laughed, but the management didn't find it so funny, making Cal write a formal letter of apology. When we staged the curtain calls, our two black males ended up at the back, above everybody else. They raised fists, lowered their heads, and joked "back of the bus again". I had a lovely time, with only minor feelings of being underused. The ending, as everybody left the courtroom, was beautifully staged, almost in slow motion.
Tuesday, November 16, 2010
Voyager, season 3
FOUR-STAR EPISODES: 3
AVERAGE EPISODE RATING: 2.9
-Basics, pt. 2 ***
The doctor and suder work from within to retake the ship, while paris finds some talaxians willing to help. Suder is traumatized by having to kill, a part of his life he had thought was behind him. A brilliant end to brad dourif's run as the sociopathic betazoid. The rest of the stranded crew face fifty-foot cave monsters, primitive aggressive humanoids, and an active volcano. A ripper.
-Flashback ***
Sulu! SULU!!!! George takei (plus grace lee whitney as rand, and michael ansara as kang) appears as part of a neurological infection affecting the dreams of tuvok, who served aboard Excelsior during the events of UNDISCOVERED COUNTRY. He mind-melds with janeway and takes her into his visions. A rollicking good time.
-The Chute ***
Paris and kim are wrongly convicted and sentenced to life on a prison ship, where there are no guards and the inmates' violent tendencies are artificially stimulated, leading to paranoia and insanity. Voyager must find the actual guilty parties, before tom dies. A serviceable guest turn by robert pine (CHiPs '99, THE LITTLE CHP).
-The Swarm ***
Voyager must traverse a sector of space dominated by a collective of intelligent, inhospitable insectoids. The doctor's matrix is degrading, and he faces the loss of two years' memory. We meet another version of the doc, in the form of an acerbic diagnostic program. Kes is left alone to keep him alive and whole. Crisp, tight, and dangerous.
-False Profits ***
In a continuation of NEXT GEN's "The Price", Voyager encounters a pair of wormhole-transported ferengi who have set themselves up as gods on a pre-industrial planet. Yes, ferengi. Yes, three stars - in the delta quadrant, apparently anything's possible. And perhaps the most remarkable thing about this episode is that neelix is rather, well, wonderful. Never mind that he spends most of the episode as a fake ferengi. Or perhaps you should mind...perhaps he should have spent every episode pretending to be someone else? Either way, this one's fun.
-Remember **
While Voyager transports a group of telepathic aliens, b'elanna has surreal dreams of another life. A genocidal cover-up is uncovered. Game guest turns by bruce davison (V, X-MEN 1-2), eugene roche (SOAP, WEBSTER), and charles esten (WHOSE LINE IS IT ANYWAY?, BIG LOVE) are wasted, as the poorly-written climactic scene devolves into speechifying histrionics that ring false on multiple levels.
-Sacred Ground **
When kes is injured on alien (insert title here), janeway must go on a spirit quest to save her. There is much satisfying in this one - winning performances and thoughtful writing nearly cover up what is probably esoteric drivel in which a "leap of faith" transcends empirical knowledge. But make no doubt, that clanging sound you hear is a franchise dropping the ball. I'm not talking about the rejection of science, or even that the character who should be at the forefront of said rejection (chakotay) is given inappropriate lines. No, i'm talking about janeway COVERING HER BREASTS while the aliens dress her. The TREK vision of humanity cannot possibly include a future wherein we're still crippled by sexual repression and self-loathing.
-Future's End 1&2 ****
-written by brannon braga, joe menosky
-directed by david livingston, cliff bole
A 29th-century timeship accidentally sends Voyager to 20th-century Earth, where they must pursue a monomaniacal businessman (ed begley, jr. - BATTLESTAR GALACTICA, A MIGHTY WIND) who created the computer age after finding a crashed timeship...but may end up destroying Earth's future. No, we don't buy the notion (again, TREK) that a ship full of humans would send a vulcan on a covert mission to a human planet, and we don't buy that capt. braxton wouldn't take back the doc's 29th-century mobile holo-emitter...but quibble schmibble, this one's thoroughly enchanting. Sarah silverman (JESUS IS MAGIC, THE SARAH SILVERMAN PROGRAM) plays a plucky Earth astronomer who helps our heroes, becoming involved with tom...his only satisfying romance of the series. Is this one four stars only because of the juice provided by begley and silverman? I want to say no, but could be wrong. Pay that no mind though, as the crew running around in 1997 is the most temporal fun the franchise has had since THE VOYAGE HOME.
-Warlord **
A dying warlord transfers his consciousness to kes's body, and uses her to topple an empire. Jennifer lien gets plenty to dig into, with homicide, lesbianism...and a kiss with tuvok! Sadly, the writing gets murky, particularly toward the end. The psychological effects of possession are short-shrifted, too.
-The Q and the Grey ***
Q oh q, doth we love you? We doth, i mean do, we do! After their last encounter with Voyager, civil war has broken out in the continuum. Q needs a new q to set things right, and he chooses janeway to be his mate. Then his actual q "mate" (TNG's suzie plakson - MY STEPMOTHER IS AN ALIEN, LOVE & WAR) shows up. Voyager gets pulled into the continuum, where the war manifests as the american Civil War. Can a species eons past physical copulation get jiggy?
-Macrocosm ***
An infestation of alien microorganisms grow to an alarming size. Janeway gets all ramboed up, plus another red herring death for neelix!
-Fair Trade **
Worried that his use to Voyager is diminishing, neelix uses shady methods trying to acquire a map. If ferengi fare is to your taste, enjoy.
-Alter Ego ***
Harry falls in love with a hologram character, and goes to tuvok for self-control mentoring. Tuvok falls in love too, and discovers an alien using the ship's technology to interact with the crew. A poignant revelation of vulcan loneliness, and a delicate, delightful performance by sandra nelson (LIFE AS A HOUSE, DE-LOVELY).
-Coda ***
Chakotay and janeway crash on a planet and become stuck in a seeming time loop where janeway dies again and again. What, he couldn't have taken neelix? But her hallucinations are merely an alien wishing to harvest her consciousness...an ominous touch, as is the suggestion that all "near-death" experiences are just brushes with vampiric aliens, in this case manifesting rather convincingly as janeway's dead father (len cariou - ABOUT SCHMIDT, BLUE BLOODS). This episode strikes a blow for traditional TREK rationality (take that, white light!). As much as i love that, this deserved a bit more deftness, and it will be fascinating to find out what science will actually have found out about all this by the 24th century. What if both the rationalist and irrationalist perspectives are wrong?
-Blood Fever ***
Ensign vorik undergoes pon farr and mindmelds with b'elanna, causing her to experience it as well. In a fevered delirium, she attempts to initiate klingon mating with tom. The doc provides a holo-vulcan mate for vorik, which seems to work...until he challenges tom to a death duel for b'elanna. She champions herself, and kicks his ass. A lovely episode diminished a bit by sexual puritanism (wouldja just hump the poor woman, paris?)...but with an eye-opening ending, as a dead borg drone is discovered.
-Unity ***
Arriving like a glass of water in a sleepwalker's face...the borg!! Voyager discovers an adrift cube, and a planetside society of alpha quadrant ex-drones who have individuality (but can still access each other's minds). They save a mortally-injured chakotay by bringing him into their link. He has a romance with one of them, then they use him as a pawn...but politely. This one has four-star potential - the scenes of Voyager dealing with the cube, and the visuals chakotay experiences as he touches the link, are stunning. And his experience being linked to a collective makes one feel a little better about the ultimate decision to hitch seven's romantic wagon to our spiritual first officer.
-Darkling **
Wait...so kes actually DID break up with neelix? I thought that was only because she was possessed by the warlord! What, she had a post-exorcism moment of clarity and realized the warlord was right about that one lil' thing?? Well, okay, far be it from me to complain. So, um, the doctor attempts to expand his personality by incorporating elements of historical figures into his program. Kes falls in love with an alien. But the doctor develops a unethical alter-ego, and tries to kill her new shmoopie. The only robert picardo episode that doesn't quite click.
-Rise **
A fresh recycling of the LIFEPOD plot, as tuvok and neelix become stranded in a rising anti-grav carriage with four aliens, while trying to help a planet bombarded by asteroids. Deceit, manipulations, and murder ensue. Neelix finally snaps with frustration at tuvok's dispassionate empiricism, and forces an intuitive decision. If not for the neelix chemistry void, this one could have worked.
-Favorite Son ***
After experiencing bizarre intuitions and DNA changes, kim leads Voyager to a planet where the locals greet him as a returning native, telling him that his humanity was only a temporary adaptation. With a 1 to 9 male-to-female (including kristanna loken - TERMINATOR 3, THE L WORD) ratio, they very much want him to stay...but is there a dark secret lurking?
-Before and After ***
Seven years in the future, the doctor tries to expand the dying kes's lifespan, and the treatment triggers regressive time jumps which culminate in the fetal stage, while passing through a life in which janeway and torres violently die, and kes has a child (jessica collins - CATCH ME IF YOU CAN, LEPRECHAUN 4: IN SPACE) with paris...who in turn has a child with harry. Kes' mom? Rachael harris (BEST IN SHOW, A MIGHTY WIND). Bear with this one - the chemistry and acting falter at first, but eventually it all clicks...including fascinating previews of the excellent "Year of Hell".
-Real Life ***
The doctor creates a holographic family, but b'elanna is dismayed by his conflict-free learning environment. Once she makes it more realistic, he is overwhelmed by normal (well, 20th-century normal) family dysfunction. The fact that this portrayal of monogamously-isolated domestic reality is antiquated even by our own standards, is forgivable given the extent to which they then subvert that reality. His son spurns him in favor of klingon friends, his wife exhibits self-determination, and his daughter suffers a horrible accident. He shuts the program down, but is convinced to return by paris, who reminds him of the dual nature of emotional bonds (robert mcneill's best scene of the entire series). At the end, as the daughter dies and the family grieves, i cried.
-Distant Origin ****
-written by brannon braga, joe menosky
-directed by david livingston
A saurian paleontologist (henry woronicz - PRIMARY COLORS, MOESHA) tracks Voyager, having discovered that their own transwarp-capable race originated on Earth, then developed space travel and left the planet 20 million years ago to avoid a mass extinction. He brings chakotay back, but is forced to recant his findings when the government labels him a heretic and threatens to imprison Voyager's crew for life. This is probably the most scientific four-star TREK ever...and a galilean episode is long overdue, given that his name adorned one of the classic Enterprise's shuttles. This airtight mix of infamy, goodness, menace, and a little humor is enhanced by some of the most convincing TREK aliens ever - the performances delivered through pounds of prosthetic are indelible, especially from woronicz and his inquisitor, chillingly rendered by concetta tomei (CHINA BEACH, DON'T TELL MOM THE BABYSITTER'S DEAD). I almost just now lauded their searing portrayals of "humanity" (forgive my malapropism)...but that's exactly what TREK does at its best. Enthralling. Chest-tightening. Jaw-dropping.
-Displaced ***
One by one, the crew are instantly replaced by strangers who don't seem to know why they're there...until chakotay is the only one left, trying to sabotage as much as he can before disappearing too. They find themselves in a holographic biopod aboard a prison ship, with Voyager in service to the aliens. The table-turning ending is just a little too easy and convenient - this would have been more intensely chaotic had they made this a two-parter and simultaneously released all the other alien crews. But that criticism is of course also a compliment.
-Worst Case Scenario ***
B'elanna accidentally discovers a holo-simulation of a maquis mutiny. Before long, everyone is playing. The anonymous author turns out to be a security-minded tuvok. When he and tom attempt to expand the program, a bug seska installed kicks in, sealing the holodeck and trying to kill them. A fun little ride.
-Scorpion, pt. 1 ****
-written by brannon braga, joe menosky
-directed by david livingston
Voyager approaches borg space, and faces the possibility of having to turn around and give up returning home. Suddenly fifteen borg cubes pass at high speed, and are destroyed by a merciless enemy called species 8472, which cannot be assimilated. Voyager studies the species, and janeway offers the borg data in exchange for safe passage. Guest star john rhys-davies (RAIDERS OF THE LOST ARK, LORD OF THE RINGS) is brilliant as a holographic leonardo da vinci. Adrenalin spikes bookend a dark, powerful episode. One of the few small-screen TREKs to have big-screen presence.
AVERAGE EPISODE RATING: 2.9
-Basics, pt. 2 ***
The doctor and suder work from within to retake the ship, while paris finds some talaxians willing to help. Suder is traumatized by having to kill, a part of his life he had thought was behind him. A brilliant end to brad dourif's run as the sociopathic betazoid. The rest of the stranded crew face fifty-foot cave monsters, primitive aggressive humanoids, and an active volcano. A ripper.
-Flashback ***
Sulu! SULU!!!! George takei (plus grace lee whitney as rand, and michael ansara as kang) appears as part of a neurological infection affecting the dreams of tuvok, who served aboard Excelsior during the events of UNDISCOVERED COUNTRY. He mind-melds with janeway and takes her into his visions. A rollicking good time.
-The Chute ***
Paris and kim are wrongly convicted and sentenced to life on a prison ship, where there are no guards and the inmates' violent tendencies are artificially stimulated, leading to paranoia and insanity. Voyager must find the actual guilty parties, before tom dies. A serviceable guest turn by robert pine (CHiPs '99, THE LITTLE CHP).
-The Swarm ***
Voyager must traverse a sector of space dominated by a collective of intelligent, inhospitable insectoids. The doctor's matrix is degrading, and he faces the loss of two years' memory. We meet another version of the doc, in the form of an acerbic diagnostic program. Kes is left alone to keep him alive and whole. Crisp, tight, and dangerous.
-False Profits ***
In a continuation of NEXT GEN's "The Price", Voyager encounters a pair of wormhole-transported ferengi who have set themselves up as gods on a pre-industrial planet. Yes, ferengi. Yes, three stars - in the delta quadrant, apparently anything's possible. And perhaps the most remarkable thing about this episode is that neelix is rather, well, wonderful. Never mind that he spends most of the episode as a fake ferengi. Or perhaps you should mind...perhaps he should have spent every episode pretending to be someone else? Either way, this one's fun.
-Remember **
While Voyager transports a group of telepathic aliens, b'elanna has surreal dreams of another life. A genocidal cover-up is uncovered. Game guest turns by bruce davison (V, X-MEN 1-2), eugene roche (SOAP, WEBSTER), and charles esten (WHOSE LINE IS IT ANYWAY?, BIG LOVE) are wasted, as the poorly-written climactic scene devolves into speechifying histrionics that ring false on multiple levels.
-Sacred Ground **
When kes is injured on alien (insert title here), janeway must go on a spirit quest to save her. There is much satisfying in this one - winning performances and thoughtful writing nearly cover up what is probably esoteric drivel in which a "leap of faith" transcends empirical knowledge. But make no doubt, that clanging sound you hear is a franchise dropping the ball. I'm not talking about the rejection of science, or even that the character who should be at the forefront of said rejection (chakotay) is given inappropriate lines. No, i'm talking about janeway COVERING HER BREASTS while the aliens dress her. The TREK vision of humanity cannot possibly include a future wherein we're still crippled by sexual repression and self-loathing.
-Future's End 1&2 ****
-written by brannon braga, joe menosky
-directed by david livingston, cliff bole
A 29th-century timeship accidentally sends Voyager to 20th-century Earth, where they must pursue a monomaniacal businessman (ed begley, jr. - BATTLESTAR GALACTICA, A MIGHTY WIND) who created the computer age after finding a crashed timeship...but may end up destroying Earth's future. No, we don't buy the notion (again, TREK) that a ship full of humans would send a vulcan on a covert mission to a human planet, and we don't buy that capt. braxton wouldn't take back the doc's 29th-century mobile holo-emitter...but quibble schmibble, this one's thoroughly enchanting. Sarah silverman (JESUS IS MAGIC, THE SARAH SILVERMAN PROGRAM) plays a plucky Earth astronomer who helps our heroes, becoming involved with tom...his only satisfying romance of the series. Is this one four stars only because of the juice provided by begley and silverman? I want to say no, but could be wrong. Pay that no mind though, as the crew running around in 1997 is the most temporal fun the franchise has had since THE VOYAGE HOME.
-Warlord **
A dying warlord transfers his consciousness to kes's body, and uses her to topple an empire. Jennifer lien gets plenty to dig into, with homicide, lesbianism...and a kiss with tuvok! Sadly, the writing gets murky, particularly toward the end. The psychological effects of possession are short-shrifted, too.
-The Q and the Grey ***
Q oh q, doth we love you? We doth, i mean do, we do! After their last encounter with Voyager, civil war has broken out in the continuum. Q needs a new q to set things right, and he chooses janeway to be his mate. Then his actual q "mate" (TNG's suzie plakson - MY STEPMOTHER IS AN ALIEN, LOVE & WAR) shows up. Voyager gets pulled into the continuum, where the war manifests as the american Civil War. Can a species eons past physical copulation get jiggy?
-Macrocosm ***
An infestation of alien microorganisms grow to an alarming size. Janeway gets all ramboed up, plus another red herring death for neelix!
-Fair Trade **
Worried that his use to Voyager is diminishing, neelix uses shady methods trying to acquire a map. If ferengi fare is to your taste, enjoy.
-Alter Ego ***
Harry falls in love with a hologram character, and goes to tuvok for self-control mentoring. Tuvok falls in love too, and discovers an alien using the ship's technology to interact with the crew. A poignant revelation of vulcan loneliness, and a delicate, delightful performance by sandra nelson (LIFE AS A HOUSE, DE-LOVELY).
-Coda ***
Chakotay and janeway crash on a planet and become stuck in a seeming time loop where janeway dies again and again. What, he couldn't have taken neelix? But her hallucinations are merely an alien wishing to harvest her consciousness...an ominous touch, as is the suggestion that all "near-death" experiences are just brushes with vampiric aliens, in this case manifesting rather convincingly as janeway's dead father (len cariou - ABOUT SCHMIDT, BLUE BLOODS). This episode strikes a blow for traditional TREK rationality (take that, white light!). As much as i love that, this deserved a bit more deftness, and it will be fascinating to find out what science will actually have found out about all this by the 24th century. What if both the rationalist and irrationalist perspectives are wrong?
-Blood Fever ***
Ensign vorik undergoes pon farr and mindmelds with b'elanna, causing her to experience it as well. In a fevered delirium, she attempts to initiate klingon mating with tom. The doc provides a holo-vulcan mate for vorik, which seems to work...until he challenges tom to a death duel for b'elanna. She champions herself, and kicks his ass. A lovely episode diminished a bit by sexual puritanism (wouldja just hump the poor woman, paris?)...but with an eye-opening ending, as a dead borg drone is discovered.
-Unity ***
Arriving like a glass of water in a sleepwalker's face...the borg!! Voyager discovers an adrift cube, and a planetside society of alpha quadrant ex-drones who have individuality (but can still access each other's minds). They save a mortally-injured chakotay by bringing him into their link. He has a romance with one of them, then they use him as a pawn...but politely. This one has four-star potential - the scenes of Voyager dealing with the cube, and the visuals chakotay experiences as he touches the link, are stunning. And his experience being linked to a collective makes one feel a little better about the ultimate decision to hitch seven's romantic wagon to our spiritual first officer.
-Darkling **
Wait...so kes actually DID break up with neelix? I thought that was only because she was possessed by the warlord! What, she had a post-exorcism moment of clarity and realized the warlord was right about that one lil' thing?? Well, okay, far be it from me to complain. So, um, the doctor attempts to expand his personality by incorporating elements of historical figures into his program. Kes falls in love with an alien. But the doctor develops a unethical alter-ego, and tries to kill her new shmoopie. The only robert picardo episode that doesn't quite click.
-Rise **
A fresh recycling of the LIFEPOD plot, as tuvok and neelix become stranded in a rising anti-grav carriage with four aliens, while trying to help a planet bombarded by asteroids. Deceit, manipulations, and murder ensue. Neelix finally snaps with frustration at tuvok's dispassionate empiricism, and forces an intuitive decision. If not for the neelix chemistry void, this one could have worked.
-Favorite Son ***
After experiencing bizarre intuitions and DNA changes, kim leads Voyager to a planet where the locals greet him as a returning native, telling him that his humanity was only a temporary adaptation. With a 1 to 9 male-to-female (including kristanna loken - TERMINATOR 3, THE L WORD) ratio, they very much want him to stay...but is there a dark secret lurking?
-Before and After ***
Seven years in the future, the doctor tries to expand the dying kes's lifespan, and the treatment triggers regressive time jumps which culminate in the fetal stage, while passing through a life in which janeway and torres violently die, and kes has a child (jessica collins - CATCH ME IF YOU CAN, LEPRECHAUN 4: IN SPACE) with paris...who in turn has a child with harry. Kes' mom? Rachael harris (BEST IN SHOW, A MIGHTY WIND). Bear with this one - the chemistry and acting falter at first, but eventually it all clicks...including fascinating previews of the excellent "Year of Hell".
-Real Life ***
The doctor creates a holographic family, but b'elanna is dismayed by his conflict-free learning environment. Once she makes it more realistic, he is overwhelmed by normal (well, 20th-century normal) family dysfunction. The fact that this portrayal of monogamously-isolated domestic reality is antiquated even by our own standards, is forgivable given the extent to which they then subvert that reality. His son spurns him in favor of klingon friends, his wife exhibits self-determination, and his daughter suffers a horrible accident. He shuts the program down, but is convinced to return by paris, who reminds him of the dual nature of emotional bonds (robert mcneill's best scene of the entire series). At the end, as the daughter dies and the family grieves, i cried.
-Distant Origin ****
-written by brannon braga, joe menosky
-directed by david livingston
A saurian paleontologist (henry woronicz - PRIMARY COLORS, MOESHA) tracks Voyager, having discovered that their own transwarp-capable race originated on Earth, then developed space travel and left the planet 20 million years ago to avoid a mass extinction. He brings chakotay back, but is forced to recant his findings when the government labels him a heretic and threatens to imprison Voyager's crew for life. This is probably the most scientific four-star TREK ever...and a galilean episode is long overdue, given that his name adorned one of the classic Enterprise's shuttles. This airtight mix of infamy, goodness, menace, and a little humor is enhanced by some of the most convincing TREK aliens ever - the performances delivered through pounds of prosthetic are indelible, especially from woronicz and his inquisitor, chillingly rendered by concetta tomei (CHINA BEACH, DON'T TELL MOM THE BABYSITTER'S DEAD). I almost just now lauded their searing portrayals of "humanity" (forgive my malapropism)...but that's exactly what TREK does at its best. Enthralling. Chest-tightening. Jaw-dropping.
-Displaced ***
One by one, the crew are instantly replaced by strangers who don't seem to know why they're there...until chakotay is the only one left, trying to sabotage as much as he can before disappearing too. They find themselves in a holographic biopod aboard a prison ship, with Voyager in service to the aliens. The table-turning ending is just a little too easy and convenient - this would have been more intensely chaotic had they made this a two-parter and simultaneously released all the other alien crews. But that criticism is of course also a compliment.
-Worst Case Scenario ***
B'elanna accidentally discovers a holo-simulation of a maquis mutiny. Before long, everyone is playing. The anonymous author turns out to be a security-minded tuvok. When he and tom attempt to expand the program, a bug seska installed kicks in, sealing the holodeck and trying to kill them. A fun little ride.
-Scorpion, pt. 1 ****
-written by brannon braga, joe menosky
-directed by david livingston
Voyager approaches borg space, and faces the possibility of having to turn around and give up returning home. Suddenly fifteen borg cubes pass at high speed, and are destroyed by a merciless enemy called species 8472, which cannot be assimilated. Voyager studies the species, and janeway offers the borg data in exchange for safe passage. Guest star john rhys-davies (RAIDERS OF THE LOST ARK, LORD OF THE RINGS) is brilliant as a holographic leonardo da vinci. Adrenalin spikes bookend a dark, powerful episode. One of the few small-screen TREKs to have big-screen presence.
Monday, November 15, 2010
boobies & monkey farts
I'm emerging from four days of monkey mascoting at the New York Chocolate Show. It was one day longer than i've ever done in costume. Two consecutive days is a killer, while four...i still feel a sub-human hollowness in my head. For the first time in my life, i'm actually tempted to pay for a massage, partly to hear the masseuse say, "Mother of Mary, what the blessed fuck have you been doing?"
The most amazing chocolate taste of NYCS 2010? It's a tie between Sendall Chocolates TOFFEE TABOO, and NibMor organic dark with almonds. Sendall was our neighbor, and kept a plate stocked for us. An amazing thing happened, something that's never happened before. Whenever i had time to wander and sample, i could not walk one step further than our neighbor's plate. Any combination of toffee and dark chocolate makes me point (a relic of my childhood passion for Heath bars). They had the dark, with toffee-coated nuts and white drizzle. I was still stuffing my face after four days, which does not happen - i usually only eat sweets once a week or so. And NibMor? It's oganic and vegan. I wasn't gobsmacked when i sampled it at the show, but when i took it home, refrigerated it, and took a larger bite, i commenced to EAT the entire bar. Again, something that never happens.
I have a confession to make about Bananas, the monkey. And if his new friend Heather is reading this, it pains me to think i may forever sully a beautiful monkey crush.
Ready?
Occasionally in the life of Bananas, there are moments when i'm just staring at boobies or blowing monkey farts.
Not often! Maybe a minute or so out of a whole day. And never so that anyone notices. But an eight-hour shift in that suit is a bizarre, surreal trial of endurance, even with nice breaks. After the first hour, you accept living with perpetual pain. And while i normally give a dismissive look to those who claim, "It's not the heat, it's the humidity", they're perhaps not total morons...in addition to the 105 degrees in the suit, there's a humidity factor that's probably comparable to actual rain. So in moments of weariness when suddenly there's a lull in the human energy around me...well...
My eyes rest on some occasional boobies, because no one in the world has any idea what my eyes are doing.
Actually, i don't think that's true...i think a big part of the success of Bananas is commitment to character, and that people are perceptive to purity of focus. So maintaining character is the feat hidden within the feat. Can you mesmerize an audience with a Shakespearean sonnet? Now can you do it while tiny, unseen needles sporadically pierce you?
I've even blown occasional quiet farts while in the middle of an interaction, but only with adults who see Bananas as a mildly-interesting photo op, and not the loving force of nature he is.
The highlight of the show was when Heather, a vendor at another booth, called Bananas over as he was passing by, saying that her friend needed a hug. I thought it might be some obligatory silliness, but i was game. Seven seconds later, i realized that something special was happening, as this poor woman melted into me. I was suddenly reminded that multiple layers of clothing and costume can't block the energy of genuine human connection. I try to time monkey hugs to release at precisely the same instant as the person i'm hugging, neither leading nor following (if you think that sounds easy, try it). But she quietly held me like she never wanted it to end. I was reminded of how mind-numbingly paralyzing a woman's breasts can feel, if two bodies or spirits align perfectly. It felt like she hadn't been hugged right in a long time. Once or twice my spiritual energy said, "She must be done now?" But she wasn't, so i kept on slowly rubbing her back through my monkey hand. So, so beautiful.
The most amazing chocolate taste of NYCS 2010? It's a tie between Sendall Chocolates TOFFEE TABOO, and NibMor organic dark with almonds. Sendall was our neighbor, and kept a plate stocked for us. An amazing thing happened, something that's never happened before. Whenever i had time to wander and sample, i could not walk one step further than our neighbor's plate. Any combination of toffee and dark chocolate makes me point (a relic of my childhood passion for Heath bars). They had the dark, with toffee-coated nuts and white drizzle. I was still stuffing my face after four days, which does not happen - i usually only eat sweets once a week or so. And NibMor? It's oganic and vegan. I wasn't gobsmacked when i sampled it at the show, but when i took it home, refrigerated it, and took a larger bite, i commenced to EAT the entire bar. Again, something that never happens.
I have a confession to make about Bananas, the monkey. And if his new friend Heather is reading this, it pains me to think i may forever sully a beautiful monkey crush.
Ready?
Occasionally in the life of Bananas, there are moments when i'm just staring at boobies or blowing monkey farts.
Not often! Maybe a minute or so out of a whole day. And never so that anyone notices. But an eight-hour shift in that suit is a bizarre, surreal trial of endurance, even with nice breaks. After the first hour, you accept living with perpetual pain. And while i normally give a dismissive look to those who claim, "It's not the heat, it's the humidity", they're perhaps not total morons...in addition to the 105 degrees in the suit, there's a humidity factor that's probably comparable to actual rain. So in moments of weariness when suddenly there's a lull in the human energy around me...well...
My eyes rest on some occasional boobies, because no one in the world has any idea what my eyes are doing.
Actually, i don't think that's true...i think a big part of the success of Bananas is commitment to character, and that people are perceptive to purity of focus. So maintaining character is the feat hidden within the feat. Can you mesmerize an audience with a Shakespearean sonnet? Now can you do it while tiny, unseen needles sporadically pierce you?
I've even blown occasional quiet farts while in the middle of an interaction, but only with adults who see Bananas as a mildly-interesting photo op, and not the loving force of nature he is.
The highlight of the show was when Heather, a vendor at another booth, called Bananas over as he was passing by, saying that her friend needed a hug. I thought it might be some obligatory silliness, but i was game. Seven seconds later, i realized that something special was happening, as this poor woman melted into me. I was suddenly reminded that multiple layers of clothing and costume can't block the energy of genuine human connection. I try to time monkey hugs to release at precisely the same instant as the person i'm hugging, neither leading nor following (if you think that sounds easy, try it). But she quietly held me like she never wanted it to end. I was reminded of how mind-numbingly paralyzing a woman's breasts can feel, if two bodies or spirits align perfectly. It felt like she hadn't been hugged right in a long time. Once or twice my spiritual energy said, "She must be done now?" But she wasn't, so i kept on slowly rubbing her back through my monkey hand. So, so beautiful.
Tuesday, November 9, 2010
Firefly & Serenity
2002-2003 & 2005
-created by joss whedon
FIREFLY, a sci fi western, was cancelled after eight episodes, but an ardent fan base wouldn't let it die. Two years later, unprecedentedly for a series that fell short of a season, it hit the big screen as the movie SERENITY. The show features crisply intelligent dialogue, adrenaline rushes, subtle sexual interplay, cheeky gallows humor, and superb chemistry. You pine for the seasons that never came, and are forever interested in the subsequent efforts of the cast and creator. Set in 2517, the show follows the crew of an old cargo ship in a galaxy dominated by a dystopian Alliance (a dark negative of STAR TREK's Federation). On the fringe of the galaxy, they eke out an existence with legal (and less legal) jobs. A refugee doctor (sean maher - PARTY OF FIVE, MUCH ADO ABOUT NOTHING) joins the crew with his rescued, genius sister (summer glau - TERMINATOR: THE SARAH CONNOR CHRONICLES, ALPHAS), who had been in training as a psionic government operative, her mind reduced to the level of a two year-old. Captain mal reynolds (nathan fillion - BUFFY THE VAMPIRE SLAYER, CASTLE) is a hard-bitten veteran hiding a gentle heart. Jayne (adam baldwin - MY BODYGUARD, FULL METAL JACKET) is a hard-living, mostly amoral enforcer. Kaylee (jewel staite - SPACE CASES, STARGATE: ATLANTIS) is a spunky, sweet, shmutzy engineer who "ain't had nothin' between [her] legs what ain't had batteries" in years. Inara (morena baccarin - STARGATE SG-1, V) is a spiritually-trained prostitute. Sheperd (ron glass - BARNEY MILLER, THE NEW ODD COUPLE) is a wandering religious pilgrim. Zoe (gina torres - THE MATRIX RELOADED, THE MATRIX REVOLUTIONS) and wash (alan tudyk - ARRESTED DEVELOPMENT, DODGEBALL: A TRUE UNDERDOG STORY) are the mismatched first officer & pilot whose romance somehow works (she's tough/sexy/dominant, he's beaver cleaver...you go, fanboys). The show effortlessly establishes itself as one of the five greatest sci fi shows of all time.
-Serenity ****
Building slowly, this pilot clicks in about halfway through. Will mal do the sensible thing, and abandon simon and river, his stowaway sister? Will he send Inara away? Will the Alliance find them? Will reavers eat them? Dark and sexy. Add to all the aforementioned qualities a sense of unpredictability. Guest starring carlos jacott (BEING JOHN MALKOVICH, STUDIO 60 ON THE SUNSET STRIP), and mark sheppard (GALACTICA, BIONIC WOMAN), in his first of two appearances as badger, a lowlife kingpin.
-The Train Job ***
The humor of the show kicks in, plus the instability of jayne's mercenary morality, as he asserts his agenda when mal and zoe are captured by a local sheriff (gregg henry - STAR TREK: INSURRECTION, THE RICHES) after a partially successful heist.
-Bushwhacked ***
A derelict is discovered, with one deranged survivor and many bodies. While liberating supplies, Serenity is discovered and detained by an Alliance cruiser. As Simon and River hide, the crew is interrogated by the captain (doug savant - TEEN WOLF, MELROSE PLACE). The survivor goes on a killing spree, having been turned into a reaver by what he's seen. Trivia buffs, take note - the Alliance uniforms are a re-use from STARSHIP TROOPERS (watch closely for a soldier who wore the uniform in both shows).
-Shindig ***
On Persephone, a royal offers inara a place as his permanent companion. At a fancy ball, mal punches the man for demeaning her, and soon finds himself outclassed in a sword duel. Aside from garish makeup, a winner. Guest starring larry drake (L.A. LAW, DARKMAN).
-Safe ***
Sale of a cattle shipment goes bad, and sheperd is shot...but simon and river are kidnapped by locals who need a doc, so mal has to appeal to an Alliance cruiser for medical help. The locals soon take river for a witch (in need of burning).
-Our Mrs. Reynolds ****
A stowaway reveals that she was part of a payment made by bumptious villagers, and that she and mal are wed. Saffron's innocent act fools everyone except inara, who realizes she has companion training. She escapes, after sabotaging the ship on behalf of scavengers. The show hits new highs in tense, sexy, and funny. The first of two scintillating episodes for christina hendricks (ER, MAD MEN). Is mal playing possum at the end, pretending to not know whom inara kissed?
-Jaynestown ***
Trying to pick up a shipment of contraband on a planet of mud, Serenity discovers the townfolk have made a hero of jayne, who unintentionally dropped boxes of cash on them years before. He warms to the hero treatment...until things go sour. Does he discover a sliver of conscience? Kaylee and simon drunkenly canoodle. River freaks out over shepherd's evil hair.
-Out of Gas ****
How is it that no sci fi has ever nabbed this title before, and its obvious double meaning in a spacefaring situation? After an accident leaves the engine and life support dead, mal sends the crew away in the shuttles, while he awaits death in the hope that some ship will respond to their distress signal. As he goes through flashbacks of the crew's first meetings, a ship shows up - and shoots him. Mal manages to get the needed replacement part and expel the hijackers, before passing out...
-Ariel ****
While visiting a core planet for inara's yearly companion physical, simon proposes a hospital heist, during which he can get brain scans of river. During the caper, jayne betrays the tams to collect their bounty. No part of anyone's plan goes right, but they all escape. Back on Serenity, jayne thinks no one knows of his treachery, until he finds himself locked in a decompressing airlock by mal. One of the best scenes (and episodes) of the series.
-War Stories ***
Mal and wash are captured by a vengeful former employer. Let's call this one a victim of "Buffy Syndrome" - when a franchise regresses to the level of the creator's previous show. The writing drops from adult to teen, with a torture scene that's played for cutesiness. I've never been around genuine torture, but i'd be willing to be tomorrow's lunch that it's nowhere near as "entertaining" as this. And the contrivance of having the villain randomly quoting the same author as the crew, is pretty bush league as well. But that's the amazing thing about FIREFLY...the chemistry is so bursting that even on its worst episode, i can't give less than three stars (well, chemistry plus a lesbian scene).
-Trash ***
Mal reunites with an old friend who has a new wife...mal's own "wife", saffron (or bridget, now). The two of them are abandoned, and she offers Serenity a percentage of a priceless artifact heist. The crew react negatively, but go along. Double-crossing aplenty ensues. Christina's lovely chemistry with the cast continues...
-The Message ***
An old army buddy of mal and zoe's turns up dead, with a recorded request. Suddenly, a brutal Alliance officer (richard burgi - THE SENTINEL, STARSHIP TROOPERS 2) is hot on their trail, and the corpse is not so dead. Plus...the debut of jayne's hat!
-Heart of Gold ***
Serenity responds to a distress call from nandi (melinda clarke - SPAWN, NIKITA), an old friend of inara's, who runs a brothel which is being terrorized. Mal and nandi share a night of passion, which brings mal and inara's feelings into the open. She decides to leave Serenity.
-Objects in Space ****
A bounty hunter (richard brooks - TEEN WOLF, LAW & ORDER) invades the ship in deep space, and incapacitates or incarcerates everyone except for simon and kaylee...but cannot find river. The scene between he and kaylee is unforgettably dark.
-SERENITY ***
Six months later, the Alliance catches up, in the form of a hyper-deadly operative (chiwetel ejiofor - 2012, 12 YEARS A SLAVE). A subliminal public transmission triggers river into a destructive spree. Every haven the ship might run to, is massacred (including the one where shepherd lived). Reuniting with inara, they head into reaver territory to unravel the mystery of river's secret - an Alliance population-control scheme gone horribly wrong. Wash dies. Also starring michael hitchcock (WAITING FOR GUFFMAN, BEST IN SHOW) and sarah paulson (STUDIO 60 ON THE SUNSET STRIP, THE SPIRIT). Brilliant, exciting...but not quite great. They didn't bring enough humor, or slow down the pace long enough to make us remember why we love these characters.
-created by joss whedon
FIREFLY, a sci fi western, was cancelled after eight episodes, but an ardent fan base wouldn't let it die. Two years later, unprecedentedly for a series that fell short of a season, it hit the big screen as the movie SERENITY. The show features crisply intelligent dialogue, adrenaline rushes, subtle sexual interplay, cheeky gallows humor, and superb chemistry. You pine for the seasons that never came, and are forever interested in the subsequent efforts of the cast and creator. Set in 2517, the show follows the crew of an old cargo ship in a galaxy dominated by a dystopian Alliance (a dark negative of STAR TREK's Federation). On the fringe of the galaxy, they eke out an existence with legal (and less legal) jobs. A refugee doctor (sean maher - PARTY OF FIVE, MUCH ADO ABOUT NOTHING) joins the crew with his rescued, genius sister (summer glau - TERMINATOR: THE SARAH CONNOR CHRONICLES, ALPHAS), who had been in training as a psionic government operative, her mind reduced to the level of a two year-old. Captain mal reynolds (nathan fillion - BUFFY THE VAMPIRE SLAYER, CASTLE) is a hard-bitten veteran hiding a gentle heart. Jayne (adam baldwin - MY BODYGUARD, FULL METAL JACKET) is a hard-living, mostly amoral enforcer. Kaylee (jewel staite - SPACE CASES, STARGATE: ATLANTIS) is a spunky, sweet, shmutzy engineer who "ain't had nothin' between [her] legs what ain't had batteries" in years. Inara (morena baccarin - STARGATE SG-1, V) is a spiritually-trained prostitute. Sheperd (ron glass - BARNEY MILLER, THE NEW ODD COUPLE) is a wandering religious pilgrim. Zoe (gina torres - THE MATRIX RELOADED, THE MATRIX REVOLUTIONS) and wash (alan tudyk - ARRESTED DEVELOPMENT, DODGEBALL: A TRUE UNDERDOG STORY) are the mismatched first officer & pilot whose romance somehow works (she's tough/sexy/dominant, he's beaver cleaver...you go, fanboys). The show effortlessly establishes itself as one of the five greatest sci fi shows of all time.
-Serenity ****
Building slowly, this pilot clicks in about halfway through. Will mal do the sensible thing, and abandon simon and river, his stowaway sister? Will he send Inara away? Will the Alliance find them? Will reavers eat them? Dark and sexy. Add to all the aforementioned qualities a sense of unpredictability. Guest starring carlos jacott (BEING JOHN MALKOVICH, STUDIO 60 ON THE SUNSET STRIP), and mark sheppard (GALACTICA, BIONIC WOMAN), in his first of two appearances as badger, a lowlife kingpin.
-The Train Job ***
The humor of the show kicks in, plus the instability of jayne's mercenary morality, as he asserts his agenda when mal and zoe are captured by a local sheriff (gregg henry - STAR TREK: INSURRECTION, THE RICHES) after a partially successful heist.
-Bushwhacked ***
A derelict is discovered, with one deranged survivor and many bodies. While liberating supplies, Serenity is discovered and detained by an Alliance cruiser. As Simon and River hide, the crew is interrogated by the captain (doug savant - TEEN WOLF, MELROSE PLACE). The survivor goes on a killing spree, having been turned into a reaver by what he's seen. Trivia buffs, take note - the Alliance uniforms are a re-use from STARSHIP TROOPERS (watch closely for a soldier who wore the uniform in both shows).
-Shindig ***
On Persephone, a royal offers inara a place as his permanent companion. At a fancy ball, mal punches the man for demeaning her, and soon finds himself outclassed in a sword duel. Aside from garish makeup, a winner. Guest starring larry drake (L.A. LAW, DARKMAN).
-Safe ***
Sale of a cattle shipment goes bad, and sheperd is shot...but simon and river are kidnapped by locals who need a doc, so mal has to appeal to an Alliance cruiser for medical help. The locals soon take river for a witch (in need of burning).
-Our Mrs. Reynolds ****
A stowaway reveals that she was part of a payment made by bumptious villagers, and that she and mal are wed. Saffron's innocent act fools everyone except inara, who realizes she has companion training. She escapes, after sabotaging the ship on behalf of scavengers. The show hits new highs in tense, sexy, and funny. The first of two scintillating episodes for christina hendricks (ER, MAD MEN). Is mal playing possum at the end, pretending to not know whom inara kissed?
-Jaynestown ***
Trying to pick up a shipment of contraband on a planet of mud, Serenity discovers the townfolk have made a hero of jayne, who unintentionally dropped boxes of cash on them years before. He warms to the hero treatment...until things go sour. Does he discover a sliver of conscience? Kaylee and simon drunkenly canoodle. River freaks out over shepherd's evil hair.
-Out of Gas ****
How is it that no sci fi has ever nabbed this title before, and its obvious double meaning in a spacefaring situation? After an accident leaves the engine and life support dead, mal sends the crew away in the shuttles, while he awaits death in the hope that some ship will respond to their distress signal. As he goes through flashbacks of the crew's first meetings, a ship shows up - and shoots him. Mal manages to get the needed replacement part and expel the hijackers, before passing out...
-Ariel ****
While visiting a core planet for inara's yearly companion physical, simon proposes a hospital heist, during which he can get brain scans of river. During the caper, jayne betrays the tams to collect their bounty. No part of anyone's plan goes right, but they all escape. Back on Serenity, jayne thinks no one knows of his treachery, until he finds himself locked in a decompressing airlock by mal. One of the best scenes (and episodes) of the series.
-War Stories ***
Mal and wash are captured by a vengeful former employer. Let's call this one a victim of "Buffy Syndrome" - when a franchise regresses to the level of the creator's previous show. The writing drops from adult to teen, with a torture scene that's played for cutesiness. I've never been around genuine torture, but i'd be willing to be tomorrow's lunch that it's nowhere near as "entertaining" as this. And the contrivance of having the villain randomly quoting the same author as the crew, is pretty bush league as well. But that's the amazing thing about FIREFLY...the chemistry is so bursting that even on its worst episode, i can't give less than three stars (well, chemistry plus a lesbian scene).
-Trash ***
Mal reunites with an old friend who has a new wife...mal's own "wife", saffron (or bridget, now). The two of them are abandoned, and she offers Serenity a percentage of a priceless artifact heist. The crew react negatively, but go along. Double-crossing aplenty ensues. Christina's lovely chemistry with the cast continues...
-The Message ***
An old army buddy of mal and zoe's turns up dead, with a recorded request. Suddenly, a brutal Alliance officer (richard burgi - THE SENTINEL, STARSHIP TROOPERS 2) is hot on their trail, and the corpse is not so dead. Plus...the debut of jayne's hat!
-Heart of Gold ***
Serenity responds to a distress call from nandi (melinda clarke - SPAWN, NIKITA), an old friend of inara's, who runs a brothel which is being terrorized. Mal and nandi share a night of passion, which brings mal and inara's feelings into the open. She decides to leave Serenity.
-Objects in Space ****
A bounty hunter (richard brooks - TEEN WOLF, LAW & ORDER) invades the ship in deep space, and incapacitates or incarcerates everyone except for simon and kaylee...but cannot find river. The scene between he and kaylee is unforgettably dark.
-SERENITY ***
Six months later, the Alliance catches up, in the form of a hyper-deadly operative (chiwetel ejiofor - 2012, 12 YEARS A SLAVE). A subliminal public transmission triggers river into a destructive spree. Every haven the ship might run to, is massacred (including the one where shepherd lived). Reuniting with inara, they head into reaver territory to unravel the mystery of river's secret - an Alliance population-control scheme gone horribly wrong. Wash dies. Also starring michael hitchcock (WAITING FOR GUFFMAN, BEST IN SHOW) and sarah paulson (STUDIO 60 ON THE SUNSET STRIP, THE SPIRIT). Brilliant, exciting...but not quite great. They didn't bring enough humor, or slow down the pace long enough to make us remember why we love these characters.
Friday, November 5, 2010
Voyager, season 2
FOUR-STAR EPISODES: 2
AVERAGE EPISODE RATING: 2.7
-The 37's **
This episode embodies the greatest flaw of early VOYAGER...the absence of a sense of solitude and isolation that should have permeated the show. Of course any Federation crew would have a "can-do" attitude, but...seventy-five years? Imagine a tornado dropping you down on the other side of the world, in a time before the wheel. How many years would it take to get home? That's a fraction of what Voyager faces. This episode was a perfect opportunity. They find a planet with an actual human civilization, the descendants of earthlings captured four hundred years earlier, including a cryo-frozen amelia earhart. They have cities, and a beautiful culture. Every crew member is given the option of staying, and...not one person remains. Not one! There isn't a single scene in these beautiful cities(?). Game turns by sharon lawrence (NYPD BLUE, MONK) and david graf (POLICE ACADEMY 1-7, THE BRADY BUNCH MOVIE) are wasted. This should have been a two-parter, and one of the more searing episodes in TREK history.
-Initiations **
Chakotay is captured by a kazon youth fulfilling a manhood ritual. A fine turn by DS9's aron eisenberg (AMITYVILLE: THE EVIL ESCAPES, PTERODACTYL WOMAN FROM BEVERLY HILLS).
-Projections ****
-written by brannon braga
-directed by jonathan frakes
The doctor faces a terrifying existential dilemma, as lt. barclay (the wonderful dwight schulz - FIRST CONTACT, FAT MAN AND LITTLE BOY) "appears" in sickbay, to tell the doctor he's NOT a hologram...he's a real person stuck in a Starfleet holoprogram that's malfunctioning due to a radiation leak. Barclay says that Voyager was never real, the doctor is dying, and the only way out is to destroy the ship. Voyager crewmembers appear, saying that barclay is a false manifestation, and the the doctor's program will be lost if he destroys the ship. The doctor bleeds, and barclay brings in kes as his real-world wife. The false endings are disturbing. Superb.
-Elogium ***
Kes's reproductive cycle is mysteriously triggered, an occurrence that only happens once in every ocampan female's lifetime. She and neelix have to decide whether they want a child. It gets tedious, as prospective parental paralysis is a bit too 20th-century, but there are nice moments (including the debut of actually-pregnant naomi wildman). It's the first time i've been glad to have neelix around, as he misses his emergency communicator tap by inches - an hilarious touch.
-Non Sequitur ***
Kim wakes up in San Francisco, with a planetside job and loving fiance (jennifer gatti - DOUBLE EXPOSURE, MILLENNIUM MAN), having never been assigned to Voyager. As his life unravels, an alien tells him he was involved in a time accident. He enlists the help of the only Voyager crewmate on Earth - tom, who never left and is a pool hall drunk. A fun ride, aside from a gaping-hole character choice by paris (having harry's fiance make that life-imperiling leap of faith instead, would have been more credible).
-Twisted **
A non-corporeal life form unintentionally wreaks havoc in an attempt to study the ship. Fine moments in Sandrine's, the french pool hall holocafe.
-Parturition *
Neelix's ugly green monster emerges over tom's attraction to kes, then they get stranded together, trying to save an alien baby. On its own merits, this one's okay (and the alien baby is three-star easy)...but an extra star is lost for a huge helping of 20th-century jealousy and sexual repression.
-Persistence of Vision ***
A malevolent, telepathic alien plagues the crew with hallucinations, trying to take over the ship. You might drive yourself crazy trying to figure out what's real and what isn't. The sexual burst between b'ellanna and chakotay is so tantalizing.
-Tattoo **
Finding a familiar symbol on a moon, chakotay tries to contact his spirit people. As bad as it sounds? Pretty much (even with some fine first officer butt crack), but saved from one star by the B plot, in which the doctor gives himself a flu, in response to charges of bad bedside manner.
-Cold Fire **
The ship encounters the vengeful mate of the caretaker, and a station full of ocampa with heightened psionic powers. Their leader (gary graham - ALIEN NATION, ENTERPRISE) wants to train and keep kes. Fine potential, but the ending is rushed and incomplete. It's "The 37's" all over again, with one or two people representing an entire unseen culture...but actually seeing the culture is what would give the decision to turn away real resonance.
-Maneuvers **
Chakotay pursues kazon who stole transporter technology, and is captured. Seska is the mastermind, and plots to get herself impregnated. Not bad, but lacking in imagination. Had chakotay come by stealth to the kazon ship, then transported in a space suit onto its hull and proceeded to wage guerilla warfare, we would have had something we'd never quite seen before in the TREK universe.
-Resistance ***
Running from the authorities on an alien planet, janeway is rescued by a man who thinks she is his daughter. An act of cowardice resulted in his wife being killed years before, and the daughter met a similar fate. A poignant guest turn by joel grey (CABARET, 'TWAS THE NIGHT BEFORE CHRISTMAS).
-Prototype ***
B'elanna reactivates a drifting automated life form. She gets kidnapped, and is forced to help her captors learn to replicate themselves. She becomes a pawn in an android war. A powerful prime directive debate between she and the captain.
-Alliances ***
In the face of kazon attacks which must ultimately overwhelm them, maquis crewmembers push for an alliance with one faction. Janeway finally relents. Negotiations sour, but an alliance is formed with the trabe, a scattered race who claim to regret their past as slavers. What makes this one stand out are the divisions within the crew, which heretofore lacked much edge.
-Threshold **
A new type of dilithium allows paris to break the warp 10 barrier. He mutates through a million years of evolution, kidnaps janeway, impregnates her, and leaves a litter of babies in an alien swamp. In other words, swingers from the year 1,002,300 will find janeway freakin' irresistible. Sorry - if it were a better episode, i might have a better joke. Given the thread in which tom is trying to sublimate his crush on kes, wouldn't she have been the more logical kidnappee? Even with that, this one might still feel like a third-rate "Elephant Man".
-Meld ***
Guest star brad dourif (DUNE, ALIEN: RESURRECTION) is lon suder, a betazed ex-maquis who murders a shipmate. It's about time something ugly arises from the tenuous Starfleet/maquis marriage. Tuvok cannot accept the random nature of the crime. He initiates a mindmeld, but the consequences undermine a lifetime's worth of emotional repression. Dourif and russ are excellent. Plus, neelix is choked to death!
-Dreadnought ***
Voyager discovers a cardassian automated military drone with adaptive intelligence, also brought to the delta quadrant by the caretaker. The drone had been reprogrammed by b'elanna to attack a cardassian target, but sensor damage has left it killing indiscriminately. B'elanna must board it and try to prevent a genocide.
-Death Wish ****
-written by michael piller
-directed by james l. conway
Voyager unwittingly frees a suicidal q trapped in a comet, who claims sanctuary when john de lancie's q appears. Janeway must preside over a trial, with eternal prison or death at stake. Witnesses are summoned, including commander william t. riker(!). The trial is taken inside the q continuum. Brilliant...as is tuvok's defense counsel. Q wants to die because immortal life has become meaningless. The philosophical arguments resonate more with each viewing, as does the emotional pull. De lancie is wonderful, and gerritt graham (PARKER LEWIS CAN'T LOSE, STOCKARD CHANNING IN JUST FRIENDS) gives one of the best TREK guest performances ever. This episode also gets nominated for worst non-alien makeup in TREK history, as q resembles a transvestite prostitute in the location shots.
-Lifesigns ***
The doctor saves a vidiian doctor (susan diol - HOTHOUSE, ALIEN NATION: MILLENIUM) by placing her synaptic patterns into a holographic body, allowing her to live for the first time as a "whole" adult. They fall in love...and then she wants to die. A poignant meditation on how "beauty" affects our self-image.
-Investigations **
Paris leaves Voyager to join a talaxian convoy - don't think too hard about whether you're sad. This one actually builds up a little juice, as tom is soon kidnapped by the kazon, and we learn that his recent apathetic insubordinations were all planned...but the episode keeps annoyingly returning to neelix.
-Deadlock ***
Voyager is accidentally duplicated, with both ships occupying identical space/time. One of them becomes horribly damaged, with several deaths (including harry). One ship must be sacrificed, so the other may survive. Apparently janeway-haters think she's "mannish", or some such? We'll ignore the investigation of their comfort level with their sexuality, and just say that they'll love to hate this one...two janeways for the price of one! Before the undamaged Voyager explodes, they send their harry and newborn naomi wildman over, to replace their dead counterparts. Not to pick a nit, but can i be the only one to have noticed that when the doc asks the new harry whether his counterpart has picked a name, he says he didn't have time to find out? That's a writing brain fart, as this harry would have been serving with that doc since the mission began.
-Innocence ***
Tuvok is stranded on a planet with alien children who believe their own people are trying to kill them. He must try to pacify and protect them. A cornucopia of vulcan life and logic, in a towering performance by tim russ. A four-star effort is marred by desultory writing in the reveal scene, when we learn that these aliens' life cycle includes a return to a childhood state before dying.
-The Thaw ***
Michael mckean! Michael mckean!! Voyager finds aliens in a form of stasis which has gone horribly wrong. Mckean (LAVERNE & SHIRLEY, THIS IS SPINAL TAP) is an adaptive, self-aware incarnation of electronic evil (in clown makeup, of course). Harry and b'elanna become imprisoned as well.
-Tuvix ***
In a transporter accident, tuvok and neelix merge. The new being has the memories of both men. The eye-popping badness of the idea almost obscures a dandy performance by guest star tom wright (BARBERSHOP, SEINFELD). It takes several weeks for them to find a way to reverse the accident, but tuvix refuses to sacrifice his life, requiring janeway to force the procedure. The doctor refuses, but janeway is undeterred. This one might have been even better had tuvix made the argument that as a single being, he is happier than either of his "parents" could ever have been - that neelix was cripplingly insecure, and tuvok humorlessly repressed. Disturbing and thought-provoking...just please promise there will never, EVER be a "Neelway".
-Resolutions ***
Janeway and chakotay contract an incurable virus on an alien planet, that prevents them from leaving the ecosphere. She orders tuvok to take command and resume the voyage. A month later, Voyager has a chance to seek help from vidiians...but tuvok follows orders, and avoids contact that would be dangerous at best. A near-mutiny follows, led by...harry! Tuvok relents. In the midst of a treacherous attack, a cure is beamed onto their ship by the doctor's one vidiian friend. Back on the planet, chakotay and janeway deal with acceptance and attraction. The emotional pulls are palpable...beautiful drama wonderfully acted. Just a B plot twist away from four stars.
-Basics, pt. 1 ***
A transmission from seska tells chakotay that his newborn son is in danger. Janeway steers straight into a plot hole and actually gives her blessing for a rescue. They go deeper and deeper into kazon territory, facing multiple minor attacks, until they realize they've been shepherded into an inescapable trap. The ship is boarded and overtaken. The kazon strand the crew on a barely-hospitable planet, and fly Voyager away. The grimness during the battle (and after) is effectively rendered. Did paris escape in a shuttle? Has seska taken the doctor into account? And where is suder, the homicidal crew member confined to quarters? We'll find out in season three...
AVERAGE EPISODE RATING: 2.7
-The 37's **
This episode embodies the greatest flaw of early VOYAGER...the absence of a sense of solitude and isolation that should have permeated the show. Of course any Federation crew would have a "can-do" attitude, but...seventy-five years? Imagine a tornado dropping you down on the other side of the world, in a time before the wheel. How many years would it take to get home? That's a fraction of what Voyager faces. This episode was a perfect opportunity. They find a planet with an actual human civilization, the descendants of earthlings captured four hundred years earlier, including a cryo-frozen amelia earhart. They have cities, and a beautiful culture. Every crew member is given the option of staying, and...not one person remains. Not one! There isn't a single scene in these beautiful cities(?). Game turns by sharon lawrence (NYPD BLUE, MONK) and david graf (POLICE ACADEMY 1-7, THE BRADY BUNCH MOVIE) are wasted. This should have been a two-parter, and one of the more searing episodes in TREK history.
-Initiations **
Chakotay is captured by a kazon youth fulfilling a manhood ritual. A fine turn by DS9's aron eisenberg (AMITYVILLE: THE EVIL ESCAPES, PTERODACTYL WOMAN FROM BEVERLY HILLS).
-Projections ****
-written by brannon braga
-directed by jonathan frakes
The doctor faces a terrifying existential dilemma, as lt. barclay (the wonderful dwight schulz - FIRST CONTACT, FAT MAN AND LITTLE BOY) "appears" in sickbay, to tell the doctor he's NOT a hologram...he's a real person stuck in a Starfleet holoprogram that's malfunctioning due to a radiation leak. Barclay says that Voyager was never real, the doctor is dying, and the only way out is to destroy the ship. Voyager crewmembers appear, saying that barclay is a false manifestation, and the the doctor's program will be lost if he destroys the ship. The doctor bleeds, and barclay brings in kes as his real-world wife. The false endings are disturbing. Superb.
-Elogium ***
Kes's reproductive cycle is mysteriously triggered, an occurrence that only happens once in every ocampan female's lifetime. She and neelix have to decide whether they want a child. It gets tedious, as prospective parental paralysis is a bit too 20th-century, but there are nice moments (including the debut of actually-pregnant naomi wildman). It's the first time i've been glad to have neelix around, as he misses his emergency communicator tap by inches - an hilarious touch.
-Non Sequitur ***
Kim wakes up in San Francisco, with a planetside job and loving fiance (jennifer gatti - DOUBLE EXPOSURE, MILLENNIUM MAN), having never been assigned to Voyager. As his life unravels, an alien tells him he was involved in a time accident. He enlists the help of the only Voyager crewmate on Earth - tom, who never left and is a pool hall drunk. A fun ride, aside from a gaping-hole character choice by paris (having harry's fiance make that life-imperiling leap of faith instead, would have been more credible).
-Twisted **
A non-corporeal life form unintentionally wreaks havoc in an attempt to study the ship. Fine moments in Sandrine's, the french pool hall holocafe.
-Parturition *
Neelix's ugly green monster emerges over tom's attraction to kes, then they get stranded together, trying to save an alien baby. On its own merits, this one's okay (and the alien baby is three-star easy)...but an extra star is lost for a huge helping of 20th-century jealousy and sexual repression.
-Persistence of Vision ***
A malevolent, telepathic alien plagues the crew with hallucinations, trying to take over the ship. You might drive yourself crazy trying to figure out what's real and what isn't. The sexual burst between b'ellanna and chakotay is so tantalizing.
-Tattoo **
Finding a familiar symbol on a moon, chakotay tries to contact his spirit people. As bad as it sounds? Pretty much (even with some fine first officer butt crack), but saved from one star by the B plot, in which the doctor gives himself a flu, in response to charges of bad bedside manner.
-Cold Fire **
The ship encounters the vengeful mate of the caretaker, and a station full of ocampa with heightened psionic powers. Their leader (gary graham - ALIEN NATION, ENTERPRISE) wants to train and keep kes. Fine potential, but the ending is rushed and incomplete. It's "The 37's" all over again, with one or two people representing an entire unseen culture...but actually seeing the culture is what would give the decision to turn away real resonance.
-Maneuvers **
Chakotay pursues kazon who stole transporter technology, and is captured. Seska is the mastermind, and plots to get herself impregnated. Not bad, but lacking in imagination. Had chakotay come by stealth to the kazon ship, then transported in a space suit onto its hull and proceeded to wage guerilla warfare, we would have had something we'd never quite seen before in the TREK universe.
-Resistance ***
Running from the authorities on an alien planet, janeway is rescued by a man who thinks she is his daughter. An act of cowardice resulted in his wife being killed years before, and the daughter met a similar fate. A poignant guest turn by joel grey (CABARET, 'TWAS THE NIGHT BEFORE CHRISTMAS).
-Prototype ***
B'elanna reactivates a drifting automated life form. She gets kidnapped, and is forced to help her captors learn to replicate themselves. She becomes a pawn in an android war. A powerful prime directive debate between she and the captain.
-Alliances ***
In the face of kazon attacks which must ultimately overwhelm them, maquis crewmembers push for an alliance with one faction. Janeway finally relents. Negotiations sour, but an alliance is formed with the trabe, a scattered race who claim to regret their past as slavers. What makes this one stand out are the divisions within the crew, which heretofore lacked much edge.
-Threshold **
A new type of dilithium allows paris to break the warp 10 barrier. He mutates through a million years of evolution, kidnaps janeway, impregnates her, and leaves a litter of babies in an alien swamp. In other words, swingers from the year 1,002,300 will find janeway freakin' irresistible. Sorry - if it were a better episode, i might have a better joke. Given the thread in which tom is trying to sublimate his crush on kes, wouldn't she have been the more logical kidnappee? Even with that, this one might still feel like a third-rate "Elephant Man".
-Meld ***
Guest star brad dourif (DUNE, ALIEN: RESURRECTION) is lon suder, a betazed ex-maquis who murders a shipmate. It's about time something ugly arises from the tenuous Starfleet/maquis marriage. Tuvok cannot accept the random nature of the crime. He initiates a mindmeld, but the consequences undermine a lifetime's worth of emotional repression. Dourif and russ are excellent. Plus, neelix is choked to death!
-Dreadnought ***
Voyager discovers a cardassian automated military drone with adaptive intelligence, also brought to the delta quadrant by the caretaker. The drone had been reprogrammed by b'elanna to attack a cardassian target, but sensor damage has left it killing indiscriminately. B'elanna must board it and try to prevent a genocide.
-Death Wish ****
-written by michael piller
-directed by james l. conway
Voyager unwittingly frees a suicidal q trapped in a comet, who claims sanctuary when john de lancie's q appears. Janeway must preside over a trial, with eternal prison or death at stake. Witnesses are summoned, including commander william t. riker(!). The trial is taken inside the q continuum. Brilliant...as is tuvok's defense counsel. Q wants to die because immortal life has become meaningless. The philosophical arguments resonate more with each viewing, as does the emotional pull. De lancie is wonderful, and gerritt graham (PARKER LEWIS CAN'T LOSE, STOCKARD CHANNING IN JUST FRIENDS) gives one of the best TREK guest performances ever. This episode also gets nominated for worst non-alien makeup in TREK history, as q resembles a transvestite prostitute in the location shots.
-Lifesigns ***
The doctor saves a vidiian doctor (susan diol - HOTHOUSE, ALIEN NATION: MILLENIUM) by placing her synaptic patterns into a holographic body, allowing her to live for the first time as a "whole" adult. They fall in love...and then she wants to die. A poignant meditation on how "beauty" affects our self-image.
-Investigations **
Paris leaves Voyager to join a talaxian convoy - don't think too hard about whether you're sad. This one actually builds up a little juice, as tom is soon kidnapped by the kazon, and we learn that his recent apathetic insubordinations were all planned...but the episode keeps annoyingly returning to neelix.
-Deadlock ***
Voyager is accidentally duplicated, with both ships occupying identical space/time. One of them becomes horribly damaged, with several deaths (including harry). One ship must be sacrificed, so the other may survive. Apparently janeway-haters think she's "mannish", or some such? We'll ignore the investigation of their comfort level with their sexuality, and just say that they'll love to hate this one...two janeways for the price of one! Before the undamaged Voyager explodes, they send their harry and newborn naomi wildman over, to replace their dead counterparts. Not to pick a nit, but can i be the only one to have noticed that when the doc asks the new harry whether his counterpart has picked a name, he says he didn't have time to find out? That's a writing brain fart, as this harry would have been serving with that doc since the mission began.
-Innocence ***
Tuvok is stranded on a planet with alien children who believe their own people are trying to kill them. He must try to pacify and protect them. A cornucopia of vulcan life and logic, in a towering performance by tim russ. A four-star effort is marred by desultory writing in the reveal scene, when we learn that these aliens' life cycle includes a return to a childhood state before dying.
-The Thaw ***
Michael mckean! Michael mckean!! Voyager finds aliens in a form of stasis which has gone horribly wrong. Mckean (LAVERNE & SHIRLEY, THIS IS SPINAL TAP) is an adaptive, self-aware incarnation of electronic evil (in clown makeup, of course). Harry and b'elanna become imprisoned as well.
-Tuvix ***
In a transporter accident, tuvok and neelix merge. The new being has the memories of both men. The eye-popping badness of the idea almost obscures a dandy performance by guest star tom wright (BARBERSHOP, SEINFELD). It takes several weeks for them to find a way to reverse the accident, but tuvix refuses to sacrifice his life, requiring janeway to force the procedure. The doctor refuses, but janeway is undeterred. This one might have been even better had tuvix made the argument that as a single being, he is happier than either of his "parents" could ever have been - that neelix was cripplingly insecure, and tuvok humorlessly repressed. Disturbing and thought-provoking...just please promise there will never, EVER be a "Neelway".
-Resolutions ***
Janeway and chakotay contract an incurable virus on an alien planet, that prevents them from leaving the ecosphere. She orders tuvok to take command and resume the voyage. A month later, Voyager has a chance to seek help from vidiians...but tuvok follows orders, and avoids contact that would be dangerous at best. A near-mutiny follows, led by...harry! Tuvok relents. In the midst of a treacherous attack, a cure is beamed onto their ship by the doctor's one vidiian friend. Back on the planet, chakotay and janeway deal with acceptance and attraction. The emotional pulls are palpable...beautiful drama wonderfully acted. Just a B plot twist away from four stars.
-Basics, pt. 1 ***
A transmission from seska tells chakotay that his newborn son is in danger. Janeway steers straight into a plot hole and actually gives her blessing for a rescue. They go deeper and deeper into kazon territory, facing multiple minor attacks, until they realize they've been shepherded into an inescapable trap. The ship is boarded and overtaken. The kazon strand the crew on a barely-hospitable planet, and fly Voyager away. The grimness during the battle (and after) is effectively rendered. Did paris escape in a shuttle? Has seska taken the doctor into account? And where is suder, the homicidal crew member confined to quarters? We'll find out in season three...
Monday, November 1, 2010
hallow-eenversion
On the morning of most holidays, including my birthday, i wake up unaware of the date, prefering spontaneity to premeditatation. There are of course exceptions.
This Halloween was no exception. I've nothing against Halloween, i've had some delightful experiences thereon, and always look forward to the chance to break out my "flasher" costume (one year i chickened out from doing it properly, and have sought any opportunity to make amends ever since). I do not, however, like my costuming activity to be confined to one societally-proscribed day of the year...and i ain't talkin' about mascots.
This Halloween, i awoke in a Marriott in Boston, and headed off to the final day of the Boston Vegetarian Food Show, to give away goodwill and free samples for Peanut Butter & Co. I often work these shows in costume, as our baby monkey mascot. Sometimes, like this time, i'm just me.
At 4PM, my wonderful partner Jenny and i headed back to NYC. After dropping her off on 155th St., i headed to the Village to drop off the leftover PB at our sandwich shop.
Somebody (myself included) should have questioned the wisdom of making a commercial dropoff in the heart of the Village on Halloween night. What with the parade, shoulder-to-shoulder revelers, and closed-off streets, it took me the better part of four hours to get in and out. At 1:30AM, i dropped off the U-Haul on 50th St., and walked to 32nd to catch the subway home.
It was one of the most memorable subway rides of my life. All around me, merry-makers were heading home. I was the only person not in costume. I had a lovely chat with the Riddler and Poison Ivy, who were curious about my hiker's pack and normal attire.
The ride was a bizarre inversion of a part of my life. More times than i could ever count, i've been the one costumed person in a sea of humanity. For a brief moment, i experienced the exact opposite.
Ah life, silly and wonderful...
This Halloween was no exception. I've nothing against Halloween, i've had some delightful experiences thereon, and always look forward to the chance to break out my "flasher" costume (one year i chickened out from doing it properly, and have sought any opportunity to make amends ever since). I do not, however, like my costuming activity to be confined to one societally-proscribed day of the year...and i ain't talkin' about mascots.
This Halloween, i awoke in a Marriott in Boston, and headed off to the final day of the Boston Vegetarian Food Show, to give away goodwill and free samples for Peanut Butter & Co. I often work these shows in costume, as our baby monkey mascot. Sometimes, like this time, i'm just me.
At 4PM, my wonderful partner Jenny and i headed back to NYC. After dropping her off on 155th St., i headed to the Village to drop off the leftover PB at our sandwich shop.
Somebody (myself included) should have questioned the wisdom of making a commercial dropoff in the heart of the Village on Halloween night. What with the parade, shoulder-to-shoulder revelers, and closed-off streets, it took me the better part of four hours to get in and out. At 1:30AM, i dropped off the U-Haul on 50th St., and walked to 32nd to catch the subway home.
It was one of the most memorable subway rides of my life. All around me, merry-makers were heading home. I was the only person not in costume. I had a lovely chat with the Riddler and Poison Ivy, who were curious about my hiker's pack and normal attire.
The ride was a bizarre inversion of a part of my life. More times than i could ever count, i've been the one costumed person in a sea of humanity. For a brief moment, i experienced the exact opposite.
Ah life, silly and wonderful...
Wednesday, October 27, 2010
1 Kings
11:4-6
God grants to Solomon (chapter 3:10-12) the most wise and discerning mind in the history of humankind, then Solomon turns away from the Lord. I'll repeat that, as it might be significant. God grants to Solomon the most wise and discerning mind in the history of humankind, then Solomon turns away from the Lord. This might be a needed lesson on the fallibility of even the most brilliant, but there are other implications which are staggering. The Lord grants one human the most wisdom in the history of the world. If this MWADMITHOH (acronym, see above) rejects God, how reasonable is it to propose a system of divine justice based upon whether or not we "lesser" humans embrace said God? We, who are necessarily less discerning than the MWADMITHOH?? To avoid divine punishment, we would have to avoid the judgment "error" the MWADMITHOH made, yet...how could any of us be expected to be more discerning than the most wise and discerning mind ever? This is the most (and indeed, only) astonishing passage in the entire Old Testament. Why is this not the most talked-about passage of the Bible? Why is there not an entire school of theology devoted to this single passage? Do these verses contain a long-misunderstood or ignored injunction from God Itself, commanding that we reject God?
God grants to Solomon (chapter 3:10-12) the most wise and discerning mind in the history of humankind, then Solomon turns away from the Lord. I'll repeat that, as it might be significant. God grants to Solomon the most wise and discerning mind in the history of humankind, then Solomon turns away from the Lord. This might be a needed lesson on the fallibility of even the most brilliant, but there are other implications which are staggering. The Lord grants one human the most wisdom in the history of the world. If this MWADMITHOH (acronym, see above) rejects God, how reasonable is it to propose a system of divine justice based upon whether or not we "lesser" humans embrace said God? We, who are necessarily less discerning than the MWADMITHOH?? To avoid divine punishment, we would have to avoid the judgment "error" the MWADMITHOH made, yet...how could any of us be expected to be more discerning than the most wise and discerning mind ever? This is the most (and indeed, only) astonishing passage in the entire Old Testament. Why is this not the most talked-about passage of the Bible? Why is there not an entire school of theology devoted to this single passage? Do these verses contain a long-misunderstood or ignored injunction from God Itself, commanding that we reject God?
superstaragain
JESUS CHRIST SUPERSTAR
THEATER 41
-spring 1996
I'd returned north, and was in my second semester of a master's in philosophy at WCU, my old stomping grounds. Aside from an occasional visit with Sandi, i spent little time at the theater department. On a visit to Bucks County, i dropped by the church where my brother John was rehearsing the Youth Club musical. My dad was still acting coach. They were doing JESUS CHRIST SUPERSTAR, which i thought was probably out of their league. It was fun watching rehearsal, and some of the kids remembered me. John played Pilate, and they were actually doing a credible job. Opening week, my dad called, and asked whether i'd fill in for a guard they'd lost (Youth Club attendance had gone down since my day, and there were only two guards left). I laughed and said sure, why not. It was a hoot. I was the lasher of Christ (with Johnny shouting commands), and had a solo line (to John, as well), "Someone Christ, king of the Jews!" We had a hard time keeping straight faces. John was a step-brother, but i was closer to him than my blood brothers. I got on great with the kids. It was funny...in ten years Youth Club had become at once more overtly religious, yet also more cynical and bawdy (the most hysterical moment was in the dressing room when John Lazur, a righteous kook, jumped onto a table and did his impression of a girl, tucking his genitals between his legs). The mother who did my makeup told me i had perfect bone structure. When they called for the cast photo, i ducked out of the way. They were still doing the Teddy Bear Award, and on opening night they still played "One Shining Moment" before the show. There were tears, but now a few quiet groans as well.
THEATER 41
-spring 1996
I'd returned north, and was in my second semester of a master's in philosophy at WCU, my old stomping grounds. Aside from an occasional visit with Sandi, i spent little time at the theater department. On a visit to Bucks County, i dropped by the church where my brother John was rehearsing the Youth Club musical. My dad was still acting coach. They were doing JESUS CHRIST SUPERSTAR, which i thought was probably out of their league. It was fun watching rehearsal, and some of the kids remembered me. John played Pilate, and they were actually doing a credible job. Opening week, my dad called, and asked whether i'd fill in for a guard they'd lost (Youth Club attendance had gone down since my day, and there were only two guards left). I laughed and said sure, why not. It was a hoot. I was the lasher of Christ (with Johnny shouting commands), and had a solo line (to John, as well), "Someone Christ, king of the Jews!" We had a hard time keeping straight faces. John was a step-brother, but i was closer to him than my blood brothers. I got on great with the kids. It was funny...in ten years Youth Club had become at once more overtly religious, yet also more cynical and bawdy (the most hysterical moment was in the dressing room when John Lazur, a righteous kook, jumped onto a table and did his impression of a girl, tucking his genitals between his legs). The mother who did my makeup told me i had perfect bone structure. When they called for the cast photo, i ducked out of the way. They were still doing the Teddy Bear Award, and on opening night they still played "One Shining Moment" before the show. There were tears, but now a few quiet groans as well.
Monday, October 25, 2010
"Shallow Hal"
2001
-directed by the Farrelly Brothers
One of the funniest, most thought-provoking movies i know, perhaps the most singularly successful conjunction of those two qualities in one film ever...the only really overt "issue" film i can think of that almost totally transcends its message.
And it's also an object lesson in how subjective our responses are. I know people whose taste in comedy i often share, who think this film is dreck. Usually these people are huge Farrelly Brother fans, while i'm only a mild fan of the rest of their work. Is HAL only so resonant with me because it pushes my buttons? For much of my life, i've walked around with a faint air of self-satisfaction at being less shallow than most of the idiots in the world (i'm the guy whose hackles raise when someone suggests Lyle Lovett is "ugly"). This movie threatens to de-pants my smugness.
Jack Black is perfect, and Gwyneth Paltrow gives a dual (but not) performance that ranks with the greatest ever. Jason Alexander is spot-on as Hal's neurotic and equally shallow buddy Mauricio. Anthony Robbins' two scenes are priceless, even a smidgen funnier than the rest of this hysterical movie. Is he spoofing himself? Somehow, yes and no. I was strongly predisposed to always considering him a parasitic wanker, but now i'll love him always. Susan Ward, as Hal's stunning neighbor Jill, must have been uber-thrilled with her part, given the shallow roles she usually gets. She's fantastic. The rest of the cast is excellent, some of them in dual roles like Gwyneth's...rarely have i seen an entire ensemble nail just the right values, without fail. No small amount of the credit for that probably rests with creators Peter and Bobby.
Hal's relationships with women have always been awash in shallowness. Robbins hypnotizes him into seeing only the inner beauty of everyone he meets. He embarks on a grand romance with 300-pound Rosemary...in his eyes, she's Gwyneth at her most slender. When Mauricio convinces Tony to remove the hypnosis, it all falls apart. There are one or two moments when the movie feels the tiniest bit facile. Do we really buy that Hal would reject Jill, when she decides he's not the shallow twit she thought he was? No...we don't. Do we really buy that Hal, at the end, wants to spend the rest of his life with Rosie? Hmmmmmm. We're undecided. But in the moment, we go with it, because the film's so perfect. Above all, would we like a window into the lives of those who created this film, to find out whether they live up to these non-shallow ideals? Yes we would.
There are moments of tear-inducing poignance, centered on Hal's interactions with the children in the burn ward. His ability to "see" their inner selves, an ability he re-finds once he's no longer hypnotized, we go along with happily.
So why does this film push my buttons so?
Shallow wrob?
I've always been aware that i'm not attracted to fat women...athletic is my type. And there has always been a part of me that feels a pang of guilt at the thought that my chubby-aversion is societally-taught. The few times i've come close to sexual involvement with a fat woman, a voice pops up: "Nope...not working". Oh, i've had one or two lovers who had extra weight, and it didn't really bother me. But too, if those women had lost those 10-15 pounds, would i have pursued them more? That's gut-check honesty time, and the answer may be yes.
There's another voice that seeks to defend my "shallowness", however. Sexual attraction involves motivations that we are nowhere near fully aware of, and it is simply a fact that sexuality is about spreading our genes, and that our bodies have an agenda. The average person is a laughable puppet in biology's hands. If you'd like a window into this reality that might blow your mind, read "The Myth of Monogamy", by David Barash and Judith Lipton.
Is that rationale a dosing of bullshit? If i lived in a society that held up chubby girls as beauty's ideal, would i be a chubby chaser? I hate to confess that i might. Or maybe i'm selling myself short - i did, after all, reject my society's ideal of the "skinny woman with big boobs".
There's a woman who works at my local post office. She carries herself with far more joy than the average person, and she and i share a lovely spark. I fantasize about loving her. She also carries maybe fifty extra pounds. And i'm NOT operating from a societal perspective that expects a woman to be unhealthily thin. So my urge to open up to her, clams up when we talk.
Will i change that? Would that be a great/awful idea?
Anyway...
The movie's bloody marvelous. Watch it now.
-directed by the Farrelly Brothers
One of the funniest, most thought-provoking movies i know, perhaps the most singularly successful conjunction of those two qualities in one film ever...the only really overt "issue" film i can think of that almost totally transcends its message.
And it's also an object lesson in how subjective our responses are. I know people whose taste in comedy i often share, who think this film is dreck. Usually these people are huge Farrelly Brother fans, while i'm only a mild fan of the rest of their work. Is HAL only so resonant with me because it pushes my buttons? For much of my life, i've walked around with a faint air of self-satisfaction at being less shallow than most of the idiots in the world (i'm the guy whose hackles raise when someone suggests Lyle Lovett is "ugly"). This movie threatens to de-pants my smugness.
Jack Black is perfect, and Gwyneth Paltrow gives a dual (but not) performance that ranks with the greatest ever. Jason Alexander is spot-on as Hal's neurotic and equally shallow buddy Mauricio. Anthony Robbins' two scenes are priceless, even a smidgen funnier than the rest of this hysterical movie. Is he spoofing himself? Somehow, yes and no. I was strongly predisposed to always considering him a parasitic wanker, but now i'll love him always. Susan Ward, as Hal's stunning neighbor Jill, must have been uber-thrilled with her part, given the shallow roles she usually gets. She's fantastic. The rest of the cast is excellent, some of them in dual roles like Gwyneth's...rarely have i seen an entire ensemble nail just the right values, without fail. No small amount of the credit for that probably rests with creators Peter and Bobby.
Hal's relationships with women have always been awash in shallowness. Robbins hypnotizes him into seeing only the inner beauty of everyone he meets. He embarks on a grand romance with 300-pound Rosemary...in his eyes, she's Gwyneth at her most slender. When Mauricio convinces Tony to remove the hypnosis, it all falls apart. There are one or two moments when the movie feels the tiniest bit facile. Do we really buy that Hal would reject Jill, when she decides he's not the shallow twit she thought he was? No...we don't. Do we really buy that Hal, at the end, wants to spend the rest of his life with Rosie? Hmmmmmm. We're undecided. But in the moment, we go with it, because the film's so perfect. Above all, would we like a window into the lives of those who created this film, to find out whether they live up to these non-shallow ideals? Yes we would.
There are moments of tear-inducing poignance, centered on Hal's interactions with the children in the burn ward. His ability to "see" their inner selves, an ability he re-finds once he's no longer hypnotized, we go along with happily.
So why does this film push my buttons so?
Shallow wrob?
I've always been aware that i'm not attracted to fat women...athletic is my type. And there has always been a part of me that feels a pang of guilt at the thought that my chubby-aversion is societally-taught. The few times i've come close to sexual involvement with a fat woman, a voice pops up: "Nope...not working". Oh, i've had one or two lovers who had extra weight, and it didn't really bother me. But too, if those women had lost those 10-15 pounds, would i have pursued them more? That's gut-check honesty time, and the answer may be yes.
There's another voice that seeks to defend my "shallowness", however. Sexual attraction involves motivations that we are nowhere near fully aware of, and it is simply a fact that sexuality is about spreading our genes, and that our bodies have an agenda. The average person is a laughable puppet in biology's hands. If you'd like a window into this reality that might blow your mind, read "The Myth of Monogamy", by David Barash and Judith Lipton.
Is that rationale a dosing of bullshit? If i lived in a society that held up chubby girls as beauty's ideal, would i be a chubby chaser? I hate to confess that i might. Or maybe i'm selling myself short - i did, after all, reject my society's ideal of the "skinny woman with big boobs".
There's a woman who works at my local post office. She carries herself with far more joy than the average person, and she and i share a lovely spark. I fantasize about loving her. She also carries maybe fifty extra pounds. And i'm NOT operating from a societal perspective that expects a woman to be unhealthily thin. So my urge to open up to her, clams up when we talk.
Will i change that? Would that be a great/awful idea?
Anyway...
The movie's bloody marvelous. Watch it now.
"Monkeyluv"
-by Robert M. Sapolsky
2006
Saplolsky is a professor of biology and neurology at Stanford, and has done extensive field study of primates. He's funny and accessible. He writes about how current science is demonstating that genetic expression is a malleable thing, prone to environmentally-influenced changes throughout the life of an individual. He points up the illogic in our fear of cloning, as clones have lived among us since humanity began (identical twins). We learn about male fruit flies, who mate with a female only once, and whose semen contains toxins that kill the sperm of any future males copulating with his ex...unfortunately, these toxins impair her health, so she produces anti-toxins, which, if too strong, can kill all sperm (if you think that's interesting but has nothing to do with you, there's a placental parallel in humans). We learn why the chase is more compelling than the consummation. We learn about how humans are not the most evolved species around (nor the cleverest). We learn how the male autonomic nervous system seems to recover back to baseline more quickly in men than in women (if you were ever wondering why women seem to stew longer...). We learn that multiple sclerosis is one of the very few diseases with a reverse SES gradient (i.e. a rich person's disease). We learn that females seem to be as stupid as males, in treating certain other females preferentially just because they're cute. Many other nifty things are to be found...not least of which, for this writer, the knowledge that being a non-firstborn with a contentious father-relationship, makes one likely to embrace novelty long after most other humans have stopped doing so.
Two previous pieces that attest to my regard for this book:
http://nakedmeadow.blogspot.com/2010/10/chase.html
http://nakedmeadow.blogspot.com/2010/10/judeo-christian-muslim-morality.html
2006
Saplolsky is a professor of biology and neurology at Stanford, and has done extensive field study of primates. He's funny and accessible. He writes about how current science is demonstating that genetic expression is a malleable thing, prone to environmentally-influenced changes throughout the life of an individual. He points up the illogic in our fear of cloning, as clones have lived among us since humanity began (identical twins). We learn about male fruit flies, who mate with a female only once, and whose semen contains toxins that kill the sperm of any future males copulating with his ex...unfortunately, these toxins impair her health, so she produces anti-toxins, which, if too strong, can kill all sperm (if you think that's interesting but has nothing to do with you, there's a placental parallel in humans). We learn why the chase is more compelling than the consummation. We learn about how humans are not the most evolved species around (nor the cleverest). We learn how the male autonomic nervous system seems to recover back to baseline more quickly in men than in women (if you were ever wondering why women seem to stew longer...). We learn that multiple sclerosis is one of the very few diseases with a reverse SES gradient (i.e. a rich person's disease). We learn that females seem to be as stupid as males, in treating certain other females preferentially just because they're cute. Many other nifty things are to be found...not least of which, for this writer, the knowledge that being a non-firstborn with a contentious father-relationship, makes one likely to embrace novelty long after most other humans have stopped doing so.
Two previous pieces that attest to my regard for this book:
http://nakedmeadow.blogspot.com/2010/10/chase.html
http://nakedmeadow.blogspot.com/2010/10/judeo-christian-muslim-morality.html
Sunday, October 24, 2010
Voyager, season 1
(Following in the steps of DEEP SPACE NINE, one is almost immediately struck by a veritable absence of gravity...as though the franchise had been trying to run in concrete shoes, and now has been reborn in lightness and possibility. I hope that's not just about the allure of serial novelty possible aboard a constantly-traveling starship, but rather about the profound flaws in DS9's conception and execution.)
FOUR-STAR EPISODES: 1
AVERAGE EPISODE RATING: 2.6
-Caretaker ***
A Starfleet vessel and the rebel maquis ship it's chasing get yanked to the far side of the galaxy, in this double-length pilot. An alien entity has been pulling ships from all over the galaxy, trying to find a genetically compatible being. With only one vessel left, the two crews must become one. Voyager's first officer, helmsperson, and doctor are killed, to be replaced by a maquis, an ex-con observer, and an emergency medical hologram. The human manifestation of the dying alien is played with crusty pathos by basil langton (MISTER SMITH CARRIES ON, ALMOST A GENTLEMAN). The chemistry between paris and the betazoid pilot (alicia coppola - NCIS, JERICHO) is thoroughly satisfying...underscoring the wrong-turn-to-come in hitching his romantic wagon to b'elanna (tom's chemistry with kes is better, too). Armin shimerman makes a sweet cameo as DS9's quark, trying to fleece a Voyager crewmember. The captain makes a moral choice which strands them all seventy-five years from home. They skedaddle a little unrealistically quickly from the endangered ocampa, but i quibble...
-Parallax ***
The tempestuous torres is considered for chief engineer, despite janeway's reservations. Voyager tries to rescue a vessel caught in a quantum singularity, only to find the ship is their own.
-Time and Again ***
A planet is discovered which suffered a recent cataclysm. Janeway and paris are thrown backward in time, and realize Voyager is responsible.
-Phage **
An away team is ambushed by plague-stricken aliens who harvest organs to keep themselves alive. Neelix's lungs are taken, and the doctor gives him temporary holographic replacements. Unable to leave his sickbed, he becomes jealous over tom's comforting of kes. Attitudes less painfully unenlightened might have saved ethan's character, but four episodes in we're already longing for kes to be free of him.
-The Cloud *
Voyager enters a nebula in search of a power source, as chakotay helps janeway find her spirit animal. The nebula turns out to be a life form. Just a classic episode reworked, but the writer (tom szollosi) treats the 24th century like the 20th. We'll take dwight schulz, A-TEAM, you keep szollosi. All of which is harmlessly flaccid, until the final two lines. To paraphrase - "Are you there, god? It's me, janeway."
-Eye of the Needle ****
-written by bill dial, jeri taylor
-directed by winrich kolbe
A miniature wormhole leading to the alpha quadrant is discovered. They establish communications with a romulan scientist, seamlessly played by vaughn armstrong (ENTERPRISE, THE NET). His skepticism gives way, as the crew formulate a plan to transport home - but the wormhole is found to be a portal into the past. A touching subplot deals with the doctor's reaction to being treated by the crew as an appliance. Kes is the first to believe he's something more, and her advocacy is quite moving. The first episode that grips your heart over the plight of this crew, VOYAGER's first four-star entry is also the first without neelix. Coincidence?
-Ex Post Facto ***
And the first delta quadrant nookie goes to...um...well, no, never mind. It takes paris only seven episodes to lose his "bad boy" image, as he passes on sex with a willing (if duplicitous) alien because it would be, um, "wrong". This kind of sexual repression is neither A) healthy, or B) a glimpse of humanity's future - rather the opposite, as our hormone-awash couple embrace and he proceeds to go all heathcliff & cathy. Aside from that however, this is a pretty brilliant episode. The baneans wrongfully convict tom of murder, and implant him with a device which makes him relive his crime through the victim's eyes once a day for the rest of his life. Even though this punishment is just a lesser degree of barbaric than our own, i admit to initially being struck with admiration for it. It's both more humanistic, and presumably a lot more effective deterrent than prison. And okay, neelix actually made me laugh in this one.
-Emanations **
Scans of a new element lead the ship to an asteroid which seems to be an alien burial ground. Harry accidentally gets switched with an incoming corpse, ending up on a planet which thinks death is but the doorway to corporeal existence in another dimension. They're ignorant of what actually happens to the people who enter their death portals, and suddenly the stability of an entire culture is threatened. There was tremendous potential here, but the resolution is too easy, and the philosophical dialogue falls short of brilliant.
-Prime Factors ***
A compelling meditation on being on the other side of the prime directive, when a culture that could send Voyager halfway home refuses on ethical grounds. This episode could only have happened in the first season, when the crew relationships are embryonic. The carrot of home sparks an escalation of disobeyed orders, as b'elanna allows herself to be convinced that this opportunity can't be thrown away. Her growing respect for janeway (and a life of self-respect and greater purpose that suddenly seems open to her), collides with a dire ethical dilemma, and the conflict is palpable. The even bigger surprise is the officer who ultimately takes all credit for the mutinous behavior - tuvok. Thinking that janeway's principles have locked her into a corner from which she desperately wants to escape, he takes the responsibility off her hands, fully ready to sacrifice his career. This is the kind of situation employing logic (and its potential for messy, divisive results) which the TREK writers should have captured more often. Janeway's dissection of vulcan logic is perhaps the most compelling such argument ever offered. The scenes involving these three actors are searing. The only things keeping this from four stars are guest chemistry that doesn't quite gel, and a casual dismissal of a hedonistic, living-in-the-moment culture - the writing lacks fair-handed subtlety.
-State of Flux **
A kazon ship is found, which was destroyed trying to incorporate Federation technology. Seska, a surgically-altered cardassian who was a spy (and chakotay's lover) with the maquis, is uncovered. A juicy premise for martha hackett's (NEVER BEEN KISSED, KISS KISS BANG BANG) thirteen-episode arc, but one that never bears much fruit. She escapes, to join the kazon.
-Heroes and Demons ***
Kim, tuvok, and chakotay disappear inside a malfunctioning Beowulf holonovel. Because he can't be similarly hurt (as he's already a hologram), the doctor is sent on his first "away" mission. Kes gets him to acknowledge his fears. He discovers an aggrieved photonic life form, saves the day, and gets his first kiss, from a warrior maiden (marjorie monaghan - SPACE RANGERS, REGARDING HENRY). Flawed but fun, with the first intimations of the greatness that lies ahead for the doc.
-Cathexis **
Chakotay's spirit is displaced from his body by vampiric energy aliens.
-Faces ***
Captured by vidiians, b'elanna is genetically split into two selves, one klingon and one human. What does it say about me that i find her unattractive as a hybrid, yet damned sexy as both domineering klingon and simpering human? There are plot holes big enough for a gas giant, roxann's klingon voice is stilted, and the writing is simplistic, but fun can cover many flaws. Also notable is how chakotay chooses silence over cookie cutter wisdom - it's unclear whether that's a writing, directing, or acting choice.
-Jetrel **
Neelix is (falsely) diagnosed with a fatal disease by a haakonian doctor...who, it turns out, developed a weapon that killed 250,000 talaxians, including his family. Neelix's first episode as central character was probably doomed anyway, but the writing is pretty shabby. A shame, too...having him deal with the guilt of avoiding military service is a powerful choice. The better resolution would have been for him to expose jetrel's deceit by confessing that he couldn't possibly have been infected, as he lied about being on the moon, because only military personnel were allowed in after the cataclysm.
-Learning Curve ***
I would simply be remiss if i didn't alert you to the fact that, after facing off against klingons, romulans, big ol' lizards, omnipotent beings, cybernetic hive creatures, and that mel guy from ALICE, TREK now goes toe to toe with...stinky cheese. No, really. And they almost get their ass kicked (i suspect a sneaky vegan on the writing staff). The A plot's pretty fine too, as tuvok trains four maquis hard cases in Starfleet ways. Guest armand schultz (VANILLA SKY, BURN AFTER READING) is given wonderful material...and nails it. Chakotay's "gentle" disciplinary hand is revealed.
FOUR-STAR EPISODES: 1
AVERAGE EPISODE RATING: 2.6
-Caretaker ***
A Starfleet vessel and the rebel maquis ship it's chasing get yanked to the far side of the galaxy, in this double-length pilot. An alien entity has been pulling ships from all over the galaxy, trying to find a genetically compatible being. With only one vessel left, the two crews must become one. Voyager's first officer, helmsperson, and doctor are killed, to be replaced by a maquis, an ex-con observer, and an emergency medical hologram. The human manifestation of the dying alien is played with crusty pathos by basil langton (MISTER SMITH CARRIES ON, ALMOST A GENTLEMAN). The chemistry between paris and the betazoid pilot (alicia coppola - NCIS, JERICHO) is thoroughly satisfying...underscoring the wrong-turn-to-come in hitching his romantic wagon to b'elanna (tom's chemistry with kes is better, too). Armin shimerman makes a sweet cameo as DS9's quark, trying to fleece a Voyager crewmember. The captain makes a moral choice which strands them all seventy-five years from home. They skedaddle a little unrealistically quickly from the endangered ocampa, but i quibble...
-Parallax ***
The tempestuous torres is considered for chief engineer, despite janeway's reservations. Voyager tries to rescue a vessel caught in a quantum singularity, only to find the ship is their own.
-Time and Again ***
A planet is discovered which suffered a recent cataclysm. Janeway and paris are thrown backward in time, and realize Voyager is responsible.
-Phage **
An away team is ambushed by plague-stricken aliens who harvest organs to keep themselves alive. Neelix's lungs are taken, and the doctor gives him temporary holographic replacements. Unable to leave his sickbed, he becomes jealous over tom's comforting of kes. Attitudes less painfully unenlightened might have saved ethan's character, but four episodes in we're already longing for kes to be free of him.
-The Cloud *
Voyager enters a nebula in search of a power source, as chakotay helps janeway find her spirit animal. The nebula turns out to be a life form. Just a classic episode reworked, but the writer (tom szollosi) treats the 24th century like the 20th. We'll take dwight schulz, A-TEAM, you keep szollosi. All of which is harmlessly flaccid, until the final two lines. To paraphrase - "Are you there, god? It's me, janeway."
-Eye of the Needle ****
-written by bill dial, jeri taylor
-directed by winrich kolbe
A miniature wormhole leading to the alpha quadrant is discovered. They establish communications with a romulan scientist, seamlessly played by vaughn armstrong (ENTERPRISE, THE NET). His skepticism gives way, as the crew formulate a plan to transport home - but the wormhole is found to be a portal into the past. A touching subplot deals with the doctor's reaction to being treated by the crew as an appliance. Kes is the first to believe he's something more, and her advocacy is quite moving. The first episode that grips your heart over the plight of this crew, VOYAGER's first four-star entry is also the first without neelix. Coincidence?
-Ex Post Facto ***
And the first delta quadrant nookie goes to...um...well, no, never mind. It takes paris only seven episodes to lose his "bad boy" image, as he passes on sex with a willing (if duplicitous) alien because it would be, um, "wrong". This kind of sexual repression is neither A) healthy, or B) a glimpse of humanity's future - rather the opposite, as our hormone-awash couple embrace and he proceeds to go all heathcliff & cathy. Aside from that however, this is a pretty brilliant episode. The baneans wrongfully convict tom of murder, and implant him with a device which makes him relive his crime through the victim's eyes once a day for the rest of his life. Even though this punishment is just a lesser degree of barbaric than our own, i admit to initially being struck with admiration for it. It's both more humanistic, and presumably a lot more effective deterrent than prison. And okay, neelix actually made me laugh in this one.
-Emanations **
Scans of a new element lead the ship to an asteroid which seems to be an alien burial ground. Harry accidentally gets switched with an incoming corpse, ending up on a planet which thinks death is but the doorway to corporeal existence in another dimension. They're ignorant of what actually happens to the people who enter their death portals, and suddenly the stability of an entire culture is threatened. There was tremendous potential here, but the resolution is too easy, and the philosophical dialogue falls short of brilliant.
-Prime Factors ***
A compelling meditation on being on the other side of the prime directive, when a culture that could send Voyager halfway home refuses on ethical grounds. This episode could only have happened in the first season, when the crew relationships are embryonic. The carrot of home sparks an escalation of disobeyed orders, as b'elanna allows herself to be convinced that this opportunity can't be thrown away. Her growing respect for janeway (and a life of self-respect and greater purpose that suddenly seems open to her), collides with a dire ethical dilemma, and the conflict is palpable. The even bigger surprise is the officer who ultimately takes all credit for the mutinous behavior - tuvok. Thinking that janeway's principles have locked her into a corner from which she desperately wants to escape, he takes the responsibility off her hands, fully ready to sacrifice his career. This is the kind of situation employing logic (and its potential for messy, divisive results) which the TREK writers should have captured more often. Janeway's dissection of vulcan logic is perhaps the most compelling such argument ever offered. The scenes involving these three actors are searing. The only things keeping this from four stars are guest chemistry that doesn't quite gel, and a casual dismissal of a hedonistic, living-in-the-moment culture - the writing lacks fair-handed subtlety.
-State of Flux **
A kazon ship is found, which was destroyed trying to incorporate Federation technology. Seska, a surgically-altered cardassian who was a spy (and chakotay's lover) with the maquis, is uncovered. A juicy premise for martha hackett's (NEVER BEEN KISSED, KISS KISS BANG BANG) thirteen-episode arc, but one that never bears much fruit. She escapes, to join the kazon.
-Heroes and Demons ***
Kim, tuvok, and chakotay disappear inside a malfunctioning Beowulf holonovel. Because he can't be similarly hurt (as he's already a hologram), the doctor is sent on his first "away" mission. Kes gets him to acknowledge his fears. He discovers an aggrieved photonic life form, saves the day, and gets his first kiss, from a warrior maiden (marjorie monaghan - SPACE RANGERS, REGARDING HENRY). Flawed but fun, with the first intimations of the greatness that lies ahead for the doc.
-Cathexis **
Chakotay's spirit is displaced from his body by vampiric energy aliens.
-Faces ***
Captured by vidiians, b'elanna is genetically split into two selves, one klingon and one human. What does it say about me that i find her unattractive as a hybrid, yet damned sexy as both domineering klingon and simpering human? There are plot holes big enough for a gas giant, roxann's klingon voice is stilted, and the writing is simplistic, but fun can cover many flaws. Also notable is how chakotay chooses silence over cookie cutter wisdom - it's unclear whether that's a writing, directing, or acting choice.
-Jetrel **
Neelix is (falsely) diagnosed with a fatal disease by a haakonian doctor...who, it turns out, developed a weapon that killed 250,000 talaxians, including his family. Neelix's first episode as central character was probably doomed anyway, but the writing is pretty shabby. A shame, too...having him deal with the guilt of avoiding military service is a powerful choice. The better resolution would have been for him to expose jetrel's deceit by confessing that he couldn't possibly have been infected, as he lied about being on the moon, because only military personnel were allowed in after the cataclysm.
-Learning Curve ***
I would simply be remiss if i didn't alert you to the fact that, after facing off against klingons, romulans, big ol' lizards, omnipotent beings, cybernetic hive creatures, and that mel guy from ALICE, TREK now goes toe to toe with...stinky cheese. No, really. And they almost get their ass kicked (i suspect a sneaky vegan on the writing staff). The A plot's pretty fine too, as tuvok trains four maquis hard cases in Starfleet ways. Guest armand schultz (VANILLA SKY, BURN AFTER READING) is given wonderful material...and nails it. Chakotay's "gentle" disciplinary hand is revealed.
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