"I've Seen All Good People"

The most mind-bogglingly ambiguous lyric in rock history.
Nothing else comes close.
We're not talking indecipherable or obscure, a la "sitting on a cornflake" or "nobody heard, not even the chair". We're talking multi-layered ambiguity in a coherent, grammatically-proper lyric that means something very specific. Or something else, perhaps. Or something else altogether? Or this other thing, maybe. Or...
Recorded by Yes for 1971's THE YES ALBUM, the song is a two-part composition. It starts with "Your Move", by Jon Anderson, which was released as a single. The version played on the radio however, almost invariably includes the second part, "I've Seen All Good People", by Chris Squire. All of Chris' lyrics are included in Anderson's section...and indeed, part of what makes this all so tantalizing is that the entire lyric of "I've Seen All Good People" is one single line. There are no surrounding words to give any kind of context, any kind of hint, as to what the hell it's supposed to mean. Nor does scrutiny of "Your Move" provide any seeming answers - the only thing one finds there are chess and Lennon allusions, in the general context of "might isn't necessarily right (or wise)". Once the "All Good People" lyrics take over, all we get is the following line, repeated over and over and over, in a descending spiral:
I've seen all good people turn their heads each day so satisfied I'm on my way
With perhaps intentional perversity, the album provides no punctuation to narrow the possible interpretations.
Is the message one of resignation? Did the singer expect people to turn their heads, and wasn't disappointed? He may have hoped for some other outcome, but that didn't happen, so he's accepting the inevitable apathy of "good people", which is perhaps a euphemism for the establishment?
Is the message one of disgust? Is it the people, not the singer, who are satisfied? Does the singer see self-satisfaction in the faces of all those who turn their heads, and so embraces misanthropy?
Or does it mean that all good people are satisfied the singer is on HIS way?
If so, does that satisfaction arise from knowing the singer is leaving? Or is it from knowing that he's "on his way" to the top?
None of these interpretations are a stretch. Can there be any doubt that this almost diabolical wordplay was Squire's intention? If one were inclined to stretch for more interpretations, how many more might we find? How many more have YOU found, driving alone in your car on a dark and late night, the radio your only friend?
Don't surround yourself with yourself...